Tuesday, 16 June 2026

Strawberry Fields Forever by : Jacqueline Choucafe latte

 


April 2020

“I can’t breathe.”

We are standing on the top step of an ugly old building overlooking Morningside Park.  It’s been our home since late February.  Even though it’s April, it still feels like winter—everything is damp and grey, with a chill that sinks into your bones.

“I can’t breathe I can’t breathe I can’t breathe.”

She says it as one sentence.

Even though my little girl is complaining about a lack of oxygen, I giggle. She looks so gosh darn cute. The surgical mask is covering most of her face, including what I know is a little nub of a nose, and rosebud lips.  But I can see her shiny brown eyes that are framed with long fluttery eyelashes that didn’t come from me, nor from that guy, Ace I-Will-Never-Know-His-Last-Name.  At least from what I can remember of him from that drunken night from another life ago.

I always wonder if either my father or mother had eyelashes like that.

Sara looks up at me and blinks.  Her bangs graze the tips of those eyelashes, and with each blink, her bangs bob up and down in agreement.  I’m smiling under my surgical mask.  Despite everything, the bounce of her bangs makes me happy.

“You can breathe enough, can’t you, Sweetheart?”

“No!”

“Are you sure?”

She doesn’t answer.

“Look, Sara.  Mommy’s wearing a mask, too.  I can breathe.  It’s uncomfortable, but I can breathe.”  Sara turns her head away.

“It won’t be long.  We’ll shop really fast.  We’ll be out of there in no time.”

More silence.

I brush away a frisson of Bad Mother Guilt and proceed with bribery.

“We’ll buy cookies.  Whatever kind of cookies you and Juju want.”

Sara considers this.

“Juju wants Chips Ahoy.  And Oreos.”

“I know Juju likes those.  They’re your favorites, too!”

I pat the sleeve of her puffy yellow winter coat.

“Come on, Sweetheart.  You, me and Juju will get those cookies.”

Sara takes my hand, and we proceed down the stairs.  I lead Sara carefully, mindful of the broken areas of the steps that could make us stumble and fall.

The Foodtown is only several blocks away, and I hold Sara’s hand tightly for the stretch along the park.  You can feel the unsafeness of the park, especially in the wake of that Columbia student who was murdered last year.  Still, I try to be mindful of walking slowly.  Some days I forget, and walk at my normal brisk pace.  This is too much for Sara’s four-year-old legs, and she will tug at my hand and tell me her legs hurt.

“I can’t breathe,” Sara repeats softly.  Her tone is less petulant now, because of the promise of cookies.

“It won’t take long; I promise.  I’ll shop as quickly as I can.  And you keep your mask on the whole time, okay? Promise Mommy?”

Sara is silent.

“Promise Mommy.”

“Juju isn’t wearing a mask.” Her tone is matter-of-fact.

Imaginary people are funny like that, I think to myself.

“Juju must have an extraordinary immune system.”

Sara doesn’t know what to say to that, thank goodness.

We enter the supermarket.  Sara watches as I disentangle a cart from the queue.  She waits as I pull out a folded paper towel from my handbag, and a small bottle of 90% isopropyl alcohol.   I wipe down the kiddie seat, and the handle bar of the cart, then I lift Sara up and put her in place.

“Good girl,” I murmur.  “Try not to touch anything.”

True to my word, I shop as quickly as possible.  Zipping through the aisles.  The no-name brands of the cookies that I had promised.  Frozen spinach.  Cans of soup.  Not Campell’s, the cheaper brand that was on sale.  Ground beef.  The no-name brand of Hamburger Helper.  Each item added to our cart raises my anxiety.  The $78 in my wallet has to last until next Thursday.

But I need eggs and fish.  And nuts.  Dr. Ahmed said that proper nutrition can help slow the progression.  Diet can help a lot, he said.  I hesitate, then go to the canned fish section and buy two cans of tuna.  Chunk light, not solid white.  Foodtown brand peanut butter.

In just over half an hour, Sara and I are back at the front of our building.  The knapsack on my back is heavy with groceries.  We walk up the front steps, and once inside the vestibule, Sara whimpers through her mask.  She knows that I won’t let us take the elevator.  Not since the pandemic began.

Six flights of stairs is a lot for a little girl.

“I know, Sweetie.  We’ll take it slow.  And after dinner, you and Juju can have cookies.”

* * *

That night, I get Sara ready for bed.  I sit on the toilet, which slides because of the broken hinge, and watch Sara brush her teeth.  Standing on her pink plastic stool, she leans forward and spits into the sink.  Her right hand is pressed against the sink’s rim.  Her hands still have a baby chubbiness to them, dimples on the back, at the base of each finger.

As we walk from the bathroom toward her bedroom:

“Mommy, can I have a flashlight?”

“A flashlight? What for?”

“To bring to bed with me.  I need to have one, too.”

“What do you mean, ‘too’? I don’t bring a flashlight to bed with me.”

“Not you, Mommy.  Juju.”

“Juju has a flashlight?”

Sara nods and stops at the threshold of her bedroom door.  Apparently bedtime would not proceed until this flashlight matter was settled.

“Why does Juju have a flashlight?”

“To stan-gar.”

It took me a moment.

“To stand guard?”

Sara nodded.

I don’t bother asking what Juju stands guard against.

“I don’t know if I packed any flashlights.” There were still two moving boxes in the living room, shoved into the corner by the window with the broken glass.

“How about I tuck you in, and I’ll go look for a flashlight?”

Sara agrees to my terms.

For all the faults of their apartment—the old kitchen linoleum that curled up at the edges, the rust-stained bathtub with the rotting grout, and the faucet that leaked—it was spacious, half a floor-through.  The hall from the bedrooms was so long, it felt like a railroad apartment. 

As I started down that hall, twinkles of light float before me.  They blink, drift, then fade out.  It was happening again, and with it, fear flooded my stomach.

 “Mommy? Are you looking for the flashlight?”

“Yes, baby.  I’m going to look right now.”

If I were Bobby, perhaps I would reflect upon the irony, the symmetry of looking for a flashlight while seeing flashes of light before my eyes.  But I’m not a poet or musician like Bobby.  I’m a single mother who was laid off last month, is living from unemployment check to unemployment check and was just diagnosed with an illness that scares the shit out of me.

There’s nothing for me to wax poetic about.  I just need to grit my teeth and focus on what I need to do.  And right now I need find a fucking flashlight.  I try to ignore the twinkles of light and the roiling in my stomach, and proceed to the two boxes in the living room.  In thick red marker, one box is labelled “Tools;” the other, “Miscellany.”  What a useless thing to label a box.  I don’t know what I was thinking.

I open the box:  plastic trays, stacked with old bills and pay stubs.  On top of that are some framed pictures—Bobby, Sara and me.  The biggest one was the photo that Bobby gave to me on Valentine’s Day last year.  A photo of us in Fresh Meadows Park.  He’s hugging me and kissing the top of my hair.  His jagged handwriting scratches across the bottom: “I love you, Figgie.”

I should have just left the pictures at Kew Gardens.  To make it seem like I didn’t care.

Now it’s Rina, the new backup singer in his band, that he kisses.  It’s her that he now spends slow Sunday afternoons in bed, smoking weed, and having sex.  And a song will pop into his head.  Bobby will roll over to reach his phone on the nightstand, and then pull up whatever old rock song is beckoning to be heard.  The music will start playing, and Bobby will roll back over to face her.  And then, in their nakedness and limbs intertwined, they will listen to the music together, Bobby savoring the lyrics like sweet nectar.

He knew me better than anyone.  He’s the only person that I ever told about Miss Desiree Dameron.  She was the only foster mother that was ever nice to me.  He knows that she was old and bony and skinny, but still somehow gave the best hugs in the world, and that her teeth clicked as she talked.  I now know she had dentures but when I was five, I just liked it because I thought she talked like a puppet.

He knows that I had asked Miss Desiree, “Why do you call me ‘Figgie”? My name is Frances.  And Miss Desiree said, “‘Cause you jus’ look like a ‘Figgie’ to me,” and she wrapped her arms around me and squeezed me hard.

What Bobby knows doesn’t matter anymore.

And there’s no flashlight in the “Miscellany” box.

I go back to Sara’s room to give her the bad news.  I reach her doorway, and see she is sitting up in bed, expectantly.  The Snoopy lamp is on the floor.  It’s a nightstand lamp, but since we don’t have a nightstand, on the floor it goes.  The light casts funny shadows on her round cheeks.

“Did you find the flashlight?”

“Sorry, Sweetie.  I looked.  We don’t have one.”

“I need a flashlight.  Juju has one, and I want one, too.”

“We don’t have one, Sweetie.”  Isn’t it enough that your imaginary friend has an imaginary flashlight?

“Isn’t it enough that Juju has one?”

“I want to have one, too.  We both have to stan-gar.”

That stand guard thing again.

“What are you standing guard against?”

Monsters in the closet.”

“Sara, there aren’t any monsters in the closet.”

“Yes, there are!”

“Sweetie, no, I don’t think so.”

“There are!”

I enter her room and go to the closet.  It creaks as I open its door.  The shelf is bare, and a couple of wire coat hangers hang on the rod.  I open the door wide and show her, gesturing with my hand.

“See! No monsters in there.

“They’re there! They’re big and hairy!  They have big teeth and big nails!”

“Big claws?”

“Yes! Big calls!” She hasn’t mastered that “w” sound yet.

“Baby, I promise you, there are no monsters in the closet.  Look.  I don’t see any monsters.  Do you see any monsters?”

“You can’t see them, but they’re there!” she insists.  “They’re there!  Like Cow-Bed!”

My head jolts and I turn to look at her.

“Covid?”

“Yes!” She is wailing, close to tears.  “You don’t see Cow-Bed, but it’s there.”

I’m stunned.

Did I traumatize her about Covid? Have I been frantic and terrified, making her feel that way, too?

Or

Was fear of monsters in the closet just something that four-year-old girls go through?

Why did Bobby fall out of love with me and fall in love with Rina?

Did either my mother or father have retinitis pigmentosa? Did either of them go blind?

Am I going to go blind?  How far will it progress?

I don’t know I don’t know I don’t know.

I hurry over to my little girl.  I sit alongside her on the mattress and hug her.

“Do you want to sleep with Mommy tonight?”

“I’m a big girl now, and have a big girl room.  And Mommy and Bobby have a room.”

I flinch.

“It’s just Mommy’s room now,” I remind her.

I think about the now-$41 and change that is in my wallet, which has to last until next Thursday.

Nonetheless, I say,  “We’ll go buy a flashlight tomorrow, okay?  I promise.”  I think I saw a 99 Cent store, a couple of blocks away.  Maybe we can get a cheap one there.

In my arms, I feel Sara’s head nod.  She sniffs, recovering from the beginning of tears.

“Tomorrow,” she agrees.

***

It’s raining, but Sara hasn’t forgotten my promise.  I put on her rain hat, and her mask, and we bring a big umbrella to cover us both.

There is a 99 Cent store, exactly where I thought, on Columbus and 105th.  They have a small selection of flashlights.  The big ones are $8.99, and the small ones are $3.99.  I convince Sara that the small one is good enough, because its handle is red, and Closet Monsters are afraid of the color red.  I buy some no name batteries that will probably expire in under an hour for $1.50.

Sara is happy now.  She wants to carry the flashlight herself.  I’m holding one of her hands, and the little white plastic bag with the flashlight is in her other.  She doesn’t complain once about the surgical mask.  She doesn’t even complain about the walk up the six flights of stairs.

We make a game of it: one flight up, then turn the flashlight on.  She holds the flashlight beam to project on the wall, and I form my hands into a shadow puppet of a dog.  My hands are pressed together in a sideways position, thumbs fanned out and pointing up, as dog’s ears.  I lower my pinkies in unison to make the dog talk.

“Ruff, ruff, ruff!”

Sara’s eyes crinkle up.  I know she is beaming under her mask.  “Me now!”

“Next floor, Sweetie.  We’ll go up one more flight and then I’ll hold the light for you.”

When it’s my turn again, I try to think of something new for the dog to say.

 “Ruff ruff! We’re safe now, Sara! We’re going to keep all the Closet Monsters away!”

Sara looks up at me, her eyes alight.

“You see, Mommy!”

Several more rounds and we are finally at the top floor.

There is a dripping sound.  Several feet away from the door of our apartment is the metal staircase that leads to the roof.  Water is leaking from the top of the roof door, onto the metal steps.

I wonder what the roof is like.  I feel Sara staring at me as I gaze at that door.

“I wonder if that door is locked.” I’m speaking more to myself than to Sara.

Then I decide.  “Sara, stay here.  I want to see if that door is open.”

“I come too, Mommy.”

“Let me check the stairs first.  I want to see if they’re slippery.”  Sara pulls off her mask, and waits as I test each step, sliding my foot over each one.  The metal has a bumpy grid pattern, and isn’t slippery, despite being wet from rain.

“Okay, Sara.  It’s okay.” Then I give the door an experimental push.

Like a gift, the door yields.  I peek my head out.

Then, a second gift presents itself: the roof is in surprisingly decent condition: the floor consists of large, flat slabs of concrete, mostly unbroken.  More than sufficiently walkable.

“Sara, come see.”

I push the door all the way open, flooding us with daylight, to an expanse of roof and endless sky.

The rain has stopped.  Sara is at the bottom of the stairs, looking up with wonderment.

“Come up, Sara.”

We enter the roof, Sara right behind me.  The clouds are dissipating.  The sun hasn’t come out, but the sky is bright.  The air is sweet and clean, that just-after-the-rain smell.

I inhale deeply.

“Juju said it smells like God.”

I look at Sara.  I’ve never mentioned God to her.  Ever.

“Is that what God smells like--the air just after the rain?”

“Sometimes.”

Just then, a memory pushes its way to my consciousness.

“I’m not crazy about that song.  I don’t get that song.”

“Strawberry Fields? You don’t like Strawberry Fields?” Bobby was incredulous.

“His voice is so nasal and drone-y in that song, and the lyrics don’t make any sense.  And fields of strawberries?  That’s so corny.

Strawberry Fields was the name of an orphanage near John Lennon’s home as a kid.  He had a miserable childhood, and the orphanage looked all dark and dreary on the outside, with a big ugly gate around it.  But he used to climb over the gate, and inside Strawberry Fields there were gardens and wildflowers and the orphans to play with.  He was happy there.”

“Living is easy with eyes closed.”  John Lennon is singing in my head.  I can hear him so clearly.

“I don’t think that’s true at all,” I say aloud.

There are things we need to see and know, I think to myself.  I need to see my birth mother and father.  I wouldn’t even ask why they didn’t love me.  I wouldn’t ask why they abandoned me.  I swear.

I just want to know if they still have their eyesight.

Fear and grief still churn inside me, but this rooftop, the rain-washed air and infinite sky comfort me.  And then Miss Desiree flashes in my mind.  She’s in her housecoat and slippers, and she’s heading for the fridge.  She is limping, moving slowly because her arthritis acting up badly.  Still, she proceeds with making pancakes for me and the other foster kids.  Miss Desiree is muttering to herself in a low tone, but I can hear her.  “Alls I gots to do is the task just before me.”

This roof could be our Strawberry Field, I think.

Sara’s and mine.

My gaze turns to my little girl.  She’s engaged in an animated conversation with Juju.

I poke her shoulder.

ABou the author


J

“Maybe we could plant flowers up here.”

About the author

Jacqueline Chou is a short story writer in New York City. Her work has been published by Dark Lane, Piker Press, Dark Moon, A Thin Slice of Anxiety, Freedom Fiction, Bristol Noir, BULL and House of Long Shadows. She is currently working on a collection acqueline Chou is a short story writer in New York City. Her work has been published by Dark Lane, Piker Press, Dark Moon, A Thin Slice of Anxiety, Freedom Fiction, Bristol Noir, BULL and House of Long Shadows. She is currently working on a collection of short stories.of short stories.  

 


Monday, 15 June 2026

Bbbyy on a train by Keith Mckibbin a cup of hot tea

They haven’t had a landline for years and he pines for one. The way it used to lord it on the hall table when he was a lad, right in the heart of the house. How they would all halt mid-sentence and cock their ears to hear if it was for them. The anticipation of it. The way the receiver purred in your hand, the solid reassurance of it against your ear. 

He looks across at his wife. She is watching one of her soaps whilst knitting a cardigan for their second grandchild. Her fingers are a blur in her lap. A rapid succession of tiny, muted clicks. There is a soothing rhythm to it. It is impossible not to be impressed. She doesn’t even need to glance down; her fingers know exactly what they are doing. On the screen, a pretty barmaid is pulling a pint for a taxi driver whilst another jostles for her attention. 

Once, just for something to say, he asked her about a character knowing well that she had left the show years ago. She rolled her eyes but smiled indulgently. It was something. ‘Can I talk without you losing concentration?’ For a moment he thinks she hasn’t heard him, but then the knitting slows to a stop and she reaches for the remote to pause the television. ‘Sorry, I didn’t mean for you to pause it.’ He feels stupid now. All he wanted to say was about the landline and now she’s made a big deal out of it. ‘Just thinking, we haven’t had a proper telephone for years. It might be nice to find an old fashioned one and put it out on the hall table.’ ‘What for?’ He can see her trying hard to hide her irritation, but a little snort escapes her before she can help it. ‘Why waste money on that when we all have mobiles?’ He shrugs. ‘I don’t know. Nostalgia I suppose. When I was a kid there was just one phone in the house. There was a pencil and pad in the drawer underneath so you could write down messages. You had to lift and joggle it otherwise it wouldn’t pull out. The runners were warped.’ Now she makes no attempt to hide her disdain. ‘There’s lots I don’t like about modern life, but each of us having our own phone isn’t one of them. The girls can contact us anytime they need to. God, remember call boxes? The smell of them. Filthy, unhygienic things. You had to wipe the earpiece,’ she pantomimes a gag, ‘good riddance.’ ‘I suppose you’re right,’ he says, even though he knows how much this response can annoy her. The white towel comeback, she calls it. Just now though, she is content to have him be quiet so that she can return to her programme. The needle clicks begin again. Knit one, purl one. He watches how her eyes switch from once character to the other as they speak, like she is watching a tennis match. They have a forty-inch screen. It is too large for the sitting room, but she and the girls outvoted him. He likes it for the football. ‘You know, you get maudlin over the strangest things.’ This time she only lowers the volume (from 20 to 16) instead of pausing. ‘Having just one phone was a nightmare. My sisters always hogging it – big strops and slamming doors. Your house must have been the same, surely?’ He knows this is a rhetorical question because she presses the volume back up and focusses again on the screen. He tries to follow the narrative. As far as he can gather, the young barmaid is flirting with the father of her best friend. Before long they will be surreptitiously dating each other. Someone will happen upon them, perhaps hold it over them for a while (it’s hardly the stuff of proper blackmail), then the big reveal, which will reverberate along the households like a stick across a picket fence – culminating in a physical altercation on the cobbled streets. But they’ll stretch it out over the entire summer so that no one on holiday misses out. He has seen several variations of the same scenario over the past decade, but it always comes as a shock to his wife. He takes the bookmark out of his Dean Koontz and sees that he has twenty-seven pages left. If he reads them now he will have nothing to read on the train tomorrow. Then he remembers seeing the baby. ‘Hey, you’ll never guess who I saw on the train yesterday.’ He knows the hazards of interrupting her again, but this one is worth it, an item of genuine interest. ‘Remember Melanie and Frank? We went to their son’s christening.’ ‘What about them?’ She stabs the controls at the TV and the pint glass belonging to the taxi driver freezes an inch from his lips, his leathered elbow jutting out, his Adam’s Apple bulging obscenely. ‘I saw the baby on the train,’ he says, all pleased with himself. ‘I knew it was him because of that purple birthmark everyone pretended not to notice. It’s much smaller now. That’s what happens to those things. It doesn’t actually shrink – it stays exactly the same size; it just looks like it shrinks because the face around it grows.’ ‘Did you speak to him?’ ‘No. He was four seats away and the carriage was jam packed. Anyway, he wouldn’t know who I was. It was definitely him though. Gave me quite a scare I can tell you.’ ‘Why?’ He considers carefully before replying. ‘Well, because I hadn’t thought about him in ages. Actually, that’s not true. I think about him a lot. But I always picture a wee baby in my head. It’s like I’d put him in a pigeonhole where time couldn’t get at him. Then, blow me, there he is – a lad in his late teens with a wee fuzzy beard. He had overalls on. He must have an apprenticeship in the city. 

All this time I’ve been doing my thing, he’s been doing his – walking, talking, nursery, primary, secondary. There’s something almost sly about it, don’t you think? Like I’ve just looked away for a minute and he’s grown up to spite me. Gave me such a weird feeling, I had goosebumps and everything.’ ‘Jasper,’ she says. ‘Aye, that’s right. I went through the whole alphabet before I got it. I knew it was something posh like that. I thought maybe Jeremy, but do you remember how up herself Melanie was? A normal posh name like Jeremy would never have done for her. I should’ve remembered that.’ She points the remote back at the television, looks to him, eyebrows raised, then presses play. The taxi driver finally gets to drink his beer, his Adam’s Apple bobbing merrily as he slates his thirst. 

 ‘Can I sit beside you? It hurts my eyes a little at this angle.’ She makes a little irritated meh noise. ‘I thought you were reading your book. I’ve got all my wool and stuff.’ 

‘It’s fine.’ ‘Are you sure? I’ll move it if you want. Just I’ve got the pattern here as well.’ 

‘Don’t worry.’ He opens his book again, but the letters are just a blur on his lap. He knows she never checks the pattern. It is only there as a prop, the way a concert violinist has the music on display but has it all in his head.

 He feels like asking her, do you really need two spaces to knit? 

It is obvious that she just does not want him to sit beside her. The realisation of this makes him feel immeasurably sad. This is their life now. 

The girls are all up and out. Soon the other two will follow their elder sister’s example and start their own family. And his wife will knit garments for them all. An endless cascade of brightly coloured fabric meandering down under the watchful gaze of the soap opera characters, whose tawdry little spats are all the drama she seems to need. 

He looks closely at her face in profile. She was once pretty – not that he was ever that shallow – but now her face has a jowly, hangdog aspect. It is less obvious when she smiles. She used to smile at the very sight of him, when he came to pick her up in his old Datsun, to take her to the movies. That was over thirty years ago. And there had been smiles and laughter throughout the courtship and long into the marriage. Now, she only seems to smile (properly, with her eyes) when she is with their granddaughter. On screen they have switched scenes from the pub to the garage. A female mechanic (even the old soaps move with the times) is shaking her head under the bonnet of a battered looking van. The grease on her face has been artfully placed to accentuate her prominent cheekbones. He remembers watching this programme in the late 1960s (it was already well established) at the slippered feet of his long dead grandmother. He doesn’t recall her ever knitting, but certainly her sowing paraphernalia (housed in a repurposed Quality Street box, the source of endless disappointment when opened) was being put to good use, darning a production line of socks and stockings. The show was in black and white then, the characters older and calloused, all wearing scarves. Alright, our kid. Tarra chuck. He can still see her rounded knees, the wrinkles of her tights, her poking tongue and squint when she threaded the needle. He thinks again about the baby on the train. Jasper. How was it even possible for him to be there? The tiny thing they had celebrated, all talcumed powdered and swaddled up. It was ridiculous. Despicable even. It had really messed with his equilibrium. But there he was, all grown up, with his whole life ahead of him. Stride forth, little Jasper, explore and conquer the world. He only realises he is weeping when he feels her soft hands on each side of his face, her lips brushing gently against his forehead. ‘What is it, babes, what’s the matter?’ 

And when he finds himself incapable of answering, all she does is hold him tightly, rocking him the way his mother used to, whispering ith Mckibbin is an English teacher working in Glasgow. He is married with four daughters and two beautiful granddaughters. His favourite short story writers are O.Henry and Raymond Carver. He has been published in both the Bath and Edinburgh short story competitions.soft, soothing words into his ear. ‘There, there, now…shoosh. It’ll all be okay, I promise.’ 

About the Author

keith Mckibbin is an English teacher working in Glasgow. He is married with four daughters and two beautiful granddaughters. His favourite short story writers are O.Henry and Raymond Carver. He has been published in both the Bath and Edinburgh short story competitions. 

 

 

 </ Did you enjoy the story? Would you like to shout us a coffee?. Half of what you pay goes to the author the oher half goes to expense se.g. Maintaining hthe web site and setting up The Best of CafĂ© Lit book each year.


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keith Mckibbin is an English teacher working in Glasgow. He is married with four daughters and two beautiful granddaughters. His favourite short story writers are O.Henry and Raymond Carver. He has been published in both the Bath and Edinburgh short story competitions.

Sunday, 14 June 2026

JUST TELL HER by Rob Molan,Valpolicella

 

   I loathe coming to London at the best of times. Emerging from Kings Cross railway station just before eleven o’clock, I find the entrance to the Underground closed. The guy standing by it tells travellers the whole system has been shut down and bus services have also been suspended. What the hell’s going on? Whatever the reason, I suppose I better press on by foot even though I get lost every time I visit the capital

I set off down the pavement along with hundreds of others. Police cars and ambulances fly by, lights flashing. After a few minutes, I arrive at a greasy spoon café and dive inside. The windows are streaming with condensation and the tables are covered with vinyl checked tablecloths.

‘Cappuccino, please,’ I say to the dark-haired lady behind the counter.

‘I’ll bring it over to you.’

‘Thanks. By the way, am I heading in the right direction for Liverpool Street if I continue that way?’ I turn and point to the left.

‘Yes, you are.’

I sit down and text Heather to warn her that I’m going to be late.

I fasten my eyes on the television set sitting on a shelf. A female newsreader is speaking.

 ‘To sum up, we have verified reports of three explosions on the Underground and a bus bursting into flames in Russell Square. We will provide you with further updates as more information comes through.’

I wish I was watching this in the comfort of my own home rather than in the centre of the action.

The newsreader pauses for a moment.

‘We are now going over to Downing Street for a report from our correspondent.’

The café falls silent.

‘At a press conference in Downing Street, the Prime Minister, Tony Blair said there has been a coordinated terrorist attack on London this morning resulting in numerous casualties and the entire transport system had been shut down as a precaution against further attacks.’

I feel numb as I listen to this and check my ‘phone but there’s no reply from Heather. I look outside and see lots of bewildered looking folk wandering past.

My coffee arrives. I’ve no idea how long it will take me to get through the metropolitan maze so I’d better head off as soon as I’ve finished this. I’m glad I put on my trainers this morning.

I pay the bill and find the sun is shining brightly when I step outside to resume my trek. Walking along, I mull over our imminent reunion. Heather knows how to manipulate me, her latest call being an example.

‘I’m on a residential course in London next week and will be free from lunchtime on Friday. I want you to come to Liverpool Street station and meet me there. There’s lots we need to talk about. I’m sure you agree.’

I always hate it when she dares me to contradict her views. However, as ever, I agreed to her demand. It’s mad because it’s only two months since our last break up and I promised myself then there was no going back. I’m stuck in a state of limbo caught between her spell over me and the possibility of finding a meaningful relationship with someone else. I know Cheryl holds a torch for me but she won’t wait forever.

I rehearse in my mind what I want to say to Heather.

‘I decided to meet you today so I could tell you face to face that this relationship - if you can call it that - is not doing either of us any good. We need to finally end things and move on with our lives.’

Yet, as I'm thinking this, a memory pops up of Heather coming out of the pool in Majorca last year in that blue bikini and giving me a sultry look, and curling one of her index fingers in my direction. It’s so hard to shake her off.

Walking through the streets, I keep telling myself that I can follow through with my plan but a nagging voice in my head reminds me what a coward I can be. There's no breeze and the heat is stifling, and after a while I decide to turn into a quiet square with public gardens where I can rest. I buy a cold drink from a corner shop and head for a free bench under the trees where I plonk myself down and take a sip. It’s calm here away from the cacophony of emergency services in the distance. I dread to think how many poor souls have been hurt or killed, and whether there have been further attacks.

 

A fortysomething lady appears pulling a suitcase. She is wearing a floral print dress and has her auburn hair cut in a Mary Quant style.

 

‘Do you mind if I join you?’

 

‘Be my guest. All dressed up and nowhere to go?’

 

‘Got it in one.’ She has a north American accent.I’ve been walking around for hours with lots of other confused and disoriented folk. It’s as if time has stood still and none of us can move backwards or forwards.’

 

‘I know how you feel.’

 

‘In the circumstances, you either become a stoic or go stir crazy. Boy, do I now regret deciding to break my journey in London. I wasn't bargaining on a visit to Armageddon.’ She sighs.

 

‘Where did you fly in from?’

‘Rome. The US my ultimate destination. Are you stranded yourself?’

 

‘Yep. I travelled up from Peterborough to meet someone.’

 

‘What a drag.’

 

‘By the way, I’m Ian.’

 

‘Cindy’s the name.’ Her green eyes scrutinise me.

 

‘Were you there on holiday?’ I ask.


‘No. I was there trying to connect with my younger self.’ She laughs


‘Did you succeed?’

 

She frowns.

 

‘No. I studied art history there when I was young and lived the dolce vita. It was a wonderful time and it’s where I met the love of my life, Gianfranco.’

 

‘Is he still there?’

 

She shakes her head.

About the author

 

 

 


Rob lives in Edinburgh but lived in London for many years. He started writing short stories during lockdown. To date, he's had several tales published by Cafe Lit and others in various anthologies. He likes to experiment with different genres and styles of writing. Did you enjoy the story? Would you like to shout us a coffee?. Half of what you pay goes to the author the oher half goes to expense se.g. Maintaining hthe web site and setting up The Best of Café Lit book each year.