Friday, 15 May 2026

 

An Enigma Wrapped in a Puzzle Heading toward Divorce Court

"Something is missing, isn't it John?" she asked, pulling on a strand of her red hair with one hand, biting her nails with the other.


"Maybe we need to look at it more closely," he offered calmly.


"What do you think I've been doing!" she shouted more angrily than she had planned. "That's all I've done, John. Try to figure us out."


"Remember that time we traveled up coast and had a picnic by that red schoolhouse?  I think it was Fall.  Maybe it was a barn and not a schoolhouse?"


"No, I don't remember your random recollection that's completely irrelevant to our current discussion. Why bring something like that up, John?"


He looked down, shook his head, and muttered, "I was just trying to connect, but you're like a want ad page listing jobs, then I interview and am told, 'You're not quite the right fit, not what we're looking for. Better luck next time.'"


"Let me tell you what you're like, if we're being honest," honesty a rare and usually valueless commodity in relationships. "You're a puzzle, John, with most of the pieces missing, on the floor, or eaten by the dog. Trying to figure you out is turning my head into a mushroom cloud ready to detonate," and she pulled more intensely on her already thinning red strand of hair.


"So, what should we do, Sue?" he asked, looking out the window at a random sparrow beating its wings against a strong headwind.

About thh author

Steve Gerson writes poetry and flash about life's dissonance. He has published in many journals plus his eight chapbooks: Once Planed Straight; Viral; And the Land Dreams Darkly; The 13th Floor; What Is Isn’t; There Is a Season; Have Not; and Who Am I Today.

Did you enjoy the storye? Would you like to shout us a coffee?. Half of what you pay goes to the author th otrht eehalf goe to expensese.g. Miantaining rhhthe web siterand setting up The Best of Café Lit book each year.



Thursday, 14 May 2026

The start of a day by Jane Spirit

 

Disturbed by dreams, I rise at dawn to put the kettle on. I cannot help but stare through the chinks of the kitchen blind, seeking you out amongst the uncut grass that has encroached into the old flower beds. And there you are, like a giant stone, well- polished, smoothed by the years, though no-one seems to know your actual age.  I inherited the richness of you when I moved into this little house. You are there, just present, apparently unnoticed by a passing robin. I cannot linger to watch you as you start to stretch your neck out and to fix your beady eyes upon the world.  I cannot wait the hour or so, perhaps, until you shift your scaley legs and propel yourself at speed towards discarded lettuce leaves from yesterday. I simply have no time to waste, must rush to do the things I know I should, and tick the lists I made to help me function long gone midnight. Yet now I pause, for just another moment. I see you, stalwart tortoise, statue-still and still existing in the barely morning light.

about thh author 

 

Jane lives in Woodbridge, Suffolk UK. and has been writing stories for some time, some of which have appeared on Café Lit. D

id you enjoy the story? Would you like to shut us a coffee?. Half of what you pay goes to the author the otherthalf goes to expenses.g. Maintaining the web site and setting up The Best of CaféLit book each year.



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Saturday, 9 May 2026

Saturday Sample: Golden Hair by Hannah Retallick, Orange juice

 



Six children in high-viz jackets visited the care home. A young woman and two men held their hands, and a carer ushered them into the conservatory. It was a hot Saturday afternoon. Sun shone through the glass roof and landed on two old men who were seated there. Other residents tottered in, assisted by sticks, walkers, or supportive arms.

An old lady was wheeled in by a nurse, in a big armchair. She was a small hunched body, a burgundy cardigan, and a fluff of short grey hair which curled over the twisted collar of her white blouse.


The three girls and three boys clustered around a linen bag, picking out of it brightly coloured percussion instruments. There was an attempt to manoeuvre the children into a straight line. The young woman quickly counted to four and they began to sing, Old MacDonald Had a Farm, accompanied by maracas, rattled in a chaos of rhythm.


The old lady’s face stirred, as though she recognised something and strained to remember what it was. The young woman handed her a blue plastic tambourine. The old lady laid it on her grey-skirted lap, running her fingers around the small metal discs. She began to tap along – at the right speed but a little behind the pulse of the music.


Most of the children had gentle, lyrical voices, but one of the boy’s was loud. He became fidgety after the fifth song, seeming to have no wonder in twinkling little stars and what they are, and no patience to pretend. A fidget chain began. The adults exchanged looks, released the boys and girls from the untidy line, and asked if they could please put their instruments back in the bag more gently, please. The fidget-instigator rubbed his mess of hair and looked at the old lady in the big armchair.

“And what is your name, my lovely?” she asked, taking him by the hand.

“Tim.”

“You have a lovely voice, Tim.”

He rocked back and forth, heel to toe, balanced by her grip.

“Such lovely hair,” she said. “It’s golden, isn’t it?” “Ginger,” said Tim.

“Lovely golden hair.”

“Mummy says red.”

“The light,” she said. “Such a lovely voice. I had a lovely voice. Well, that’s been a while.”

Leaning forward, she touched the boy’s hair, finger curling loosely around a lock. Tim stared, as though trying to work out what she was. “Such a lovely voice.”

“Right, I think it’s time we made a move,” said one of the men.

Tim adjusted his high-viz jacket and allowed his hand to be taken by the one who had led him in.

"My name is Amelia,” said the woman. “Such a lovely voice, Tom.”

Tim’s eyes didn’t leave her until he had stepped over the conservatory threshold and into the dark living room. The old woman’s hand remained suspended for a moment before coming to rest on the peeling faux-leather arm of her big armchair. The tambourine slipped from her lap.

Get your copy here


About the author

Hannah Retallick is a twenty-seven-year-old from Anglesey, North Wales. She was home educated and then studied with the Open University, graduating with a First-class honours degree, BA in Humanities with Creative Writing and Music, before passing her Creative Writing MA with a Distinction. She was shortlisted in the Writing Awards at the Scottish Mental Health Arts Festival 2019, the Cambridge Short Story Prize, the Henshaw Short Story Competition June 2019, the Bedford International Writing Competition 2019, the Crossing the Tees book festival competition 2020, and the Fish Publishing Short Story Prize 2021.

https://www.hannahretallick.co.uk/

Friday, 8 May 2026

Views from the canyon by Héctor Hernández, Flying Bird Cocktail

The latest cancerous tumor is proving to be problematic, which seems like an understatement, but as the pulmonologist explains the details, I see what he means. He's young. Doesn't even look old enough to shave more than once a week. He previously told my wife that blood vessels were leaking within the gelatinous mass cancer had created from one of her back ribs. The pooling blood is filling the space between her chest wall and lungs and exerting pressure, restricting her breathing—in effect, suffocating her.

But now, the drainage tube that had been put in place has clogged. The young doctor is back to explain the pros and cons of switching to a larger-diameter tube. I can tell by the way he's carefully choosing his words that he's trying not to influence my wife's decision one way or the other, but it's obvious he thinks her case is hopeless. I silently curse him. What happened to hope against all odds? He's far too young to be so damned pessimistic.

After he leaves, my wife shakes her head, lets out a great sigh, and says,‘I can't take anymore. I won't. This all ends now.’ Those words are a complete surrender, and I'm more saddened than shocked by her abrupt decision.

I know the terrible pain she's suffering. During our consultation with the oncologist the week before, my wife had been reluctant to prolong that suffering with chemo and radiation. The oncologist and I, together, had persuaded her to at least try a few sessions.

‘Look. I know you're exhausted,’ I tell her, ‘emotionally and physically, but don't you want to take some time to think about this? It's such a big decision to make, and I don't want you to rush into it. Okay?’

But she's adamant. No treatment


x

We're in a cabin near the south rim of the Grand Canyon, my daughter and I. She's sleeping peacefully in a bed next to mine, but I, on the other hand, am wide awake—another bad dream. I was a bird flapping my wings furiously to deliver an important message when suddenly my wings turned back into arms, and I found myself desperately flailing the air to stay aloft. I dropped from the sky like a rock. But just before I hit the ground, I jolted awake. My heart is still pounding.

I don't know what message I was delivering or who it was for, so I really don't know what meaning to take from that dream—or if there's any meaning at all.

I reach for the clock on the nightstand and squint at the time: 6:17 a.m. Too early, plus I'm in no mood to get up—I rarely am these days. I close my eyes and try to force myself back to sleep, but it's no use. The morning light has found its way between the curtains and into the room, so I get up, change into my hiking clothes—quietly so as not to wake my daughter—and leave the cabin to go for a long, solitary walk.

My daughter invited herself on this trip to help scatter her mother's ashes, but I know she had another reason. She's worried my depression over our mutual loss may be getting worse with time—not better—and she hadn't wanted me to travel such a long distance alone. I wish I could tell her not to worry, that I just need more time—time heals all wounds, right?—but time isn't what I need. It may eventually heal my wound of grief, but I doubt it'll do anything for my nagging burden of guilt. I know it's irrational, but I feel I was partly responsible for my wife's death in some consequential way.

Forty-five minutes later, I'm back at the cabin, awash in a blue mood of melancholy. The alarm clock has sounded, and my daughter is reluctantly rolling out of bed. Our plan is to scout the canyon rim and find a secluded spot for my wife's ashes. They're in a water thermos bottle stowed in my backpack. You're no longer allowed to scatter ashes here, so we have to be somewhat creative. The good news is tourist season is over. Fewer prying eyes. Less chance someone will report us to a park ranger.

Before we begin our scouting mission, my daughter and I decide to visit Mather Point, a popular lookout spot. I know the view won't be as spectacular as when the sun rises or sets over the canyon like the last time we were here—as a complete family—but it will still be a view to remember, considering the occasion, and I'm pretty sure my daughter will appreciate the memory in later years.

We take a quick drive from our cabin to the Visitor Center, park in the nearly empty lot, unload our backpacks from the car, and head out. It's a short walk to the extreme northernmost projection of the observation point. The place is nearly deserted, only a scattering of people here and there. We step up to the railing. My wife and daughter and I had witnessed the morning sunrise from this very spot some twenty-two years ago. I wonder if my daughter remembers.

As she gazes looking outward to the northern rim of the canyon some ten miles away, my attention is drawn downward to the depths of the canyon. With my hands on the top metal rail, I lean out. I feel a deep loneliness when I look down the steep sides of the canyon, a heavy loneliness that stretches thousands of feet down, pulling me, drawing me forward, over the railing, into the void.

This isn't how I remember the canyon. Before, it had been an open space filled with an awe-inspiring vista. Now it's just a depressing and meaningless space that echoes my emptiness—and on a grand scale, no less. I no longer feel the warm embrace of melancholy, but the crushing squeeze of regret. But regret for what?

‘I remember when we watched the sunrise from here,’ my daughter says. ‘It was magical.’

A thought occurs to me. This is the perfect spot for my wife's ashes—a spectacular sunrise every morning and a glorious twinkling of stars at night. I ask my daughter what she thinks.

‘I guess. I mean, this is probably the best spot in the whole park. And it was such a magical moment for me. I'm sure it was for mom too.’

Okay, then. This is the spot.I slide off my backpack, pull out the thermos with my wife's ashes, and tell my daughter to hand it to me after I climb over the railing. ‘I'll scatter mom's ashes into the crevice of those rocks over there.

I point to a spot only a few feet away. A wide, level area stretches between me and that spot, reaching it will be as safe as walking on a city sidewalk—zero chance of my falling over the edge of the canyon—but my daughter still cautions me to be careful.

I scan the area to make sure there are no potential prying eyes. Satisfied, I hop over the railing. My daughter quickly hands me the thermos, and I dash toward the spot. But a funny thing happens when I do, I find myself veering to the right. And the harder I try to go straight, the more I go right. I become confused and think, What the hell? It's only when I notice a ringing in my right ear and find myself at the edge of the canyon rim that it dawns on me I'm experiencing a case of vertigo. My daughter screams ‘Daddy!’ just as I stumble and fall over the edge.


The morning air is unusually cold. Our warm breaths rise and mix in the waning twilight. My wife, our eight-year-old daughter, and I huddle together to wait patiently for what I hope will be a momentous event. We move as little as possible, not wanting to disturb the reverent mood that has settled upon us.

We had camped overnight near Mather Point. This morning, my wife had wanted to get a jump on the crowd that she knew would form in the observation area to watch the coming sunrise, so we rose early, at an ungodly hour—4 a.m.—but apparently not ungodly enough because when we arrived, a mass of even earlier risers were already here. Our late arrival, however, hadn't deprived us of a choice vantage point, and we watched as twilight gave way to sunrise. We saw the sun, that bright light, begin its slow ascent. We stood in awe, transfixed.

Vibrant shades of reds, rusts, yellows, golds, and delicate greens and pinks—colors I hadn't expected—slowly revealed themselves from the canyon walls, top to bottom. Each color, one by one, cast off its cloak of darkness and stepped into the brilliant light, timidly at first, then boldly, exposing its raw, natural splendor with sudden confidence. The canyon was truly grand to behold.

Even my daughter, who had resented the early wake-up call, was awestruck by the beauty unfolding before her very eyes. ‘That's so pretty, Daddy.’

‘Prettier than mommy?’ I tease.

She scolds me. ‘Daddy.’

‘Okay, not prettier than mommy.’

‘Daddy!’ she replies more forcefully. I see her face contort into an angry frown.

‘Daddy!’ she shouts at me.

I'm confused. Why is she shouting? Why is she angry? I was only teasing. I see her take in a deep breath and open her mouth so wide I could be looking into the depths of the canyon itself. The sound of her voice explodes in my head.


‘Daddy!’

I wake startled and confused.

‘Oh my God, Daddy! I thought you were dead!’

I struggle to focus. My head is pounding.

‘Up here. I'm up here, Daddy!’

I shift my body to look up, and it triggers a starburst of pain, colors radiate from the backs of my eyes like knives into my brain. I howl like a wounded animal.

‘What's wrong, Daddy! What's happening!’

I can't talk. My mouth is clamped shut, and I'm gritting my teeth with all my strength. The pain in my legs is unbearable. I'll go crazy if it doesn't stop soon. Mercifully, the pain lessens to just an angry throbbing, something I'm only too grateful to tolerate.

I take in my surroundings and find that I'm on a narrow ledge. I twist slowly and look up. My daughter, thirty feet above, is peering over a rocky cliff. I can't see the fine features of her face without my glasses—I've lost them somehow—but even without glasses, I can see her desperation and fear. It takes me a couple of seconds to remember what happened. I fell over the edge of that cliff above and landed on this ledge below.

‘Oh, Daddy! Please don't jump! Please, please, don't jump!’

I'm taken aback. My daughter thinks I intentionally tried to kill myself. ‘I didn't jump! And I'm not going to!’ I reply more forcefully than I intend.

I suppose I can't fault her for thinking I deliberately jumped. From her vantage point it certainly looked like I ran straight for the edge of the canyon and willingly flung myself over.

In a calmer voice, as if speaking to a suicidal jumper standing on the outside ledge of a tall building—a jumper she doesn't want to spook—she asks, ‘How badly are you hurt, Dad?’

I assess my condition. My left foot is wedged in a crevice. I try to free it, but those colors start to form in the backs of my eyes and prickling needles of pain race down my legs, so I stop. I'm pretty sure I broke both legs. My back hurts. It may be broken, too. There's a nasty gash on the back of my hand. My wrist may be broken or just sprained—I don't know. All in all, I'm pretty banged up. I relay all this information to my daughter.

‘Okay. Stay still. A rescue helicopter is on the way. They'll get you out.’

Rescue helicopter? So soon? I wonder how long I've been unconscious.

‘Just please don't—’ she hesitates, ‘move.’

‘Don't worry, Sunshine. I couldn't move even if I wanted to.’

‘The park rangers want me to come back over the railing, but I won't. I'll stay here with you, but first I need to tell them your condition. I'll be back in a second. Okay, Dad?’

‘Okay,’ I reply.

While she's gone I decide to bandage my left hand. It's a bloody mess—raw flesh and tendons exposed. In a little pouch attached to my belt, I have a Swiss Army knife. I remove it and pull out the small pair of scissors fitted inside. I cut off the left sleeve of my shirt and wrap it around my hand several times, tucking the loose end between the wrappings and my palm.

I reach under my thigh to remove a nagging rock. It's the thermos.

My daughter is back, but a thin pane of silence now separates us. Finally, she breaks it.

‘Dad, I know you're sad about Mom—I am too—but I didn't know you were this sad. You should have told me. You should have talked to me.’

She still thinks I'm suicidal. I wish I could convince her that I'm not, but my depression since her mother died and the lack of energy for me to even leave the house tells her otherwise.

‘You're right, Sunshine.’ A deep sadness swallows me. ‘I'm sorry.’

More silence.

Suddenly she shouts with excitement. ‘Daddy, I can hear the helicopter! It's coming! Can you hear it?’

I hear the distant thump, thump, thump of the blades as they cut rapidly through the air.

‘Yes, Sunshine. I hear it.’

‘I can see it! It's over there!’ She's pointing across the canyon. ‘Can you see it!’

I squint my weak eyes and see what looks like a bird in the distance. I remember my dream, when I was a bird flapping my wings furiously to deliver that urgent message.

‘Yes. I see it,’ I shout back to her.

‘I love you, Daddy. You're going to be okay.’

And just like that, the source of my guilt for my wife's suffering—for her death—reveals itself. I know what the message was that I struggled to deliver: I-love-you. Three simple words.

How many times had I spoken those words to my wife? During the early part of our marriage, I can say with confidence they flowed in a torrent. But in the last years of our marriage was there even a trickle? If I'm to be honest, the answer is no. And even during my wife's final days, I offered not a drop.

I don't know what caused that flow to stop, but it did, and I struggled to restart it, but it was never due to a lack of feeling—I did love my wife—the problem was there just never seemed to be the right moment to re-express those words, not without having them sound hollow and forced. And the longer I delayed, the harder it became.

A park ranger shouts to my daughter to clear the area before the helicopter arrives. Gusting air from its rotating blades could cause her to lose her balance and fall over the cliff. She doesn't want to leave me, but I persuade her to do so, and she reluctantly makes her way back behind the railing to join the curious bystanders who have no doubt gathered by now.

When her chest tube clogged, my wife refused to have it replaced. Would her decision have been different if I had allowed those three magical words to caress her ears? Would they have given her the strength—the desire—to do everything possible to prolong her life, a life worth living because she would know she was loved not just by her daughter but by her husband as well?

The rescue helicopter moves cautiously into position and hovers steadily above me. From its open side door, I see my rescuer step out into empty space. He swings slightly side to side as he's lowered slowly and carefully on a steel cable attached to his body harness.

What magic could those words have performed had I spoken them in the months, weeks, even days before her cancer was discovered? Could those magical words have stopped the cancer's spread, perhaps even prevented it from appearing?

Question after question crowds my mind as the helicopter hovers. Eventually one question, the most damning one of all, makes its way to the front: Am I responsible—even partly—for my wife's death?

Deep down, I know the answer.

My rescuer inches closer. I imagine he's confused when he sees me struggle with my boot, sees me cut the double knot of the laces with my knife and wrench my foot free, leaving the boot wedged in the crevice. I know he can't hear my screams of pain. Even I can't hear them. The roar of the helicopter swallows them whole.

With great effort, I drag myself across the rocky surface of the ledge, one elbow in front of the other. When I come to the edge, I unscrew the cap of the thermos bottle I'm holding and pour out my wife's ashes. They dance wildly in the turbulent air created by the helicopter's blades, a dust cloud which will eventually settle onto the canyon floor far below, my wife's final resting place.

I peer over. The view gives me the illusion I'm a bird poised to take flight. How do you say, ‘I am sorry’—three more simple words—to someone who exists only as a memory? I close my eyes. I feel the wind in my face. I feel the pull of the canyon.


Bio:

Héctor Hernández received a bachelor’s degree in civil engineering. He is now retired and lives in California. His short stories have appeared or are forthcoming in Flash Fiction Magazine, After Dinner Conversation, Bright Flash Literary Review, Five Minutes, and Literally Stories.

 

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Wednesday, 6 May 2026

What we endure by Neil C Weiner, Blue Bazar

 I board my flight out of Mobile, still vibrating from three days with my mother and sister. Old grievances clawed back to the surface, things I had spent years burying. All I want is altitude, silence, and the mercy of sleep. I slide into my usual window seat.

The captain’s voice crackles overhead, announcing a full flight. I observe the restless choreography of strangers stowing bags, and a baby crying in the seat in front of me. The only empty seats left are the two beside me.

As the door is about to close, a large man lumbers down the aisle, flushed and breathing hard, dragging a carry-on that bangs every seat it passes. The overhead bins are jammed. The plane waits while attendants check his bags. A murmur of irritation ripples through the cabin.

He drops into the seat beside me like a collapsing wall.

I’m petite. The instant he sits, his shoulder spills over the armrest, pinning me toward the window. One long leg crowds into my space, trapping my knees. Then the smell reaches me, stale cigarettes and sweat.

My chest tightens.

Cigarettes and leaving.

My father’s smell the night he walked out when I was eight years old, saying he was going for cigarettes and never coming back.

Why doesn’t he take the aisle seat? It would give his shoulders room, his legs somewhere to go. Doesn’t he realize half his body is already in my seat, that each breath presses me harder against the plane’s curved wall?

I study him from the corner of my eye. Thick through the chest and stomach. A neck swollen above a wilted collar. Damp gray curls pasted to his temples. His face shines with sweat.

I want to say something simple: Sir, could you move over? Could you take the aisle seat?

The words stall in my throat.
x

My mother’s voice lives there. Be pleasant. Be gracious. Don’t make a scene.

I smile. Reflex.

I live now in New York City, where women speak up, where no one apologizes for taking space. But the old Southern stitching holds. Manners sewn into the skin don’t come out easily.

He turns toward me, cheerful and winded, as if we are beginning a pleasant trip together.

“I’m Dr. Richard Gumm. Phew. Didn’t think I was going to make this flight. I bought two seats. I hate inconveniencing people with my size.”

He hands me a business card: DR. RICHARD GUMM, Oral Surgeon.

I take a breath. Count to three. Three hours. I survived a weekend of family interrogation and casseroles; I can survive this. I arrange my face into neutrality and practice being unbothered.

The captain’s voice returns.

“Folks, we’re delayed. A severe thunderstorm has veered into town. We’ll be waiting on the tarmac.”

My stomach drops. A short flight could stretch into hours of being trapped

Patience. A book. A song. Wait it out.

“Hope you don’t mind me talking. You look like a good listener. I’ve been trapped in a conference for three days, nothing but room service and boring talks.”

Every instinct screams no.

I nod anyway.

“You have no idea—no idea at all—what I paid for this excursion into this backwater city. Mobile. Nothing here but a submarine and a lot of ghetto. Food’s terrible…”

He doesn’t stop.

The words pour out in a steady stream. Hotels. Towels. Waiters. Food. Prices. Everything wrong. Each complaint another drop, another torturing drip

I hover at the edge of listening. My mouth produces the right sounds. Wow. That’s crazy. That must be hard. My fingers curl into my skirt.

His cheerfulness is its own violence. A bright, oblivious rain that drowns everything.

Outside, lightning splits the sky. Rain hammers the fuselage. Inside, his voice is a buzz saw.

Each remark lands, ripples outward. My father, my hometown, the weekend I just endured.

“Sorry folks. Sit tight. Still waiting for clearance.”

The captain tries to soothe. It lands like a match.

I stare at the rain-streaked window. The pressure builds.

For a moment, he pauses. Pulls out pictures of his wife, his children. A brief, fragile quiet moment.

I compliment them. A small reprieve.

Then—

“I just trained in robot-assisted oral surgery. Incredible system. Cost me a fortune, so I’ll have to charge more…”

And we’re off again.

He drinks the complimentary liquor. With each swallow he grows louder, looser, more certain of his grievances. Soon I know far more than I want about crowns, lasers, and incompetent colleagues.

I would happily rearrange his teeth myself.

I smile anyway.

Three hours pass.

The storm clears, but the cabin resentment is growing. Babies cry. Seatbelts click. Voices rise.

At last, the captain again:

“We’ve been cleared for takeoff. However, there are sixteen planes ahead of us.”

A collective groan.

He seizes it.

“You can’t trust anybody. Patients cancel. They ghost. They don’t pay. Insurance is legalized theft—”

He rants himself empty. Mid-sentence, his head falls back. Mouth open. A wet, grinding snore.

Silence.

I stare ahead. Jaw tight.

For a moment, I think I’ve been spared.

Then—

His hand drifts across the armrest and settles on my thigh. Casual. Certain. As if it belongs there.

Something breaks.

Years of being agreeable collapse in a single instant. Every silence mistaken for consent. Every polite laugh. Every swallowed word.

Gone.

My pulse hammers. I slap his hand off me. Hard. The crack echoes.

“I was sleeping!” he snaps, eyes flying open. “Why would you do that?”

I’m on my feet, forcing past him into the aisle. I turning back.

“Shut the fuck up. I’m not your listener, your armrest, or the silence you’ve been talking into for three hours. I should have stopped you an hour ago.”

He stares, stunned into silence.

The baby screams. Call buttons flare across the cabin. Flight attendants rush forward.

At the jet bridge, airport police meet me and snap cuffs around my wrists.

For the first time that day, I smile and mean it.


Bio:

Dr. Weiner has published a variety of professional articles and fiction in magazines. His psychology books include Shattered Innocence and the Curio Shop. Non-psychology publications are Across the Borderline and The Art of Fine Whining.

 

Did you enjoy the story? Would you like to shout us a coffee? Half of what you pay goes to the writers and half towards supporting the project (web site maintenance, preparing the next Best of book etc.)