Dorothy Davies
Cold tea
Ellie studied the
pattern made by the golden leaves which had drifted from the multitude of twigs
and branches on the ancient horse chestnut trees. Ever year Nature created a
carpet to walk on, every year the pattern was completely different. Yet
no one seemed to notice, no one seemed to appreciate the talent, the artistic
flair shown by the different designs.
Autumn leaves. In Autumn everyone leaves. She shivered
suddenly as a cold breeze played with her hair and tinged her cheeks with
colour. Everyone leaves. In Autumn her father had left, walked out of the
door to go to work and never came back. Left them bemused and concerned;
then afraid and finally desperately lonely. No police ever came to report
a body; no visitor mentioned his not being there. It was as if he had
never been. Like Autumn leaves, he had come and gone and few had mourned
his passing. Ellie remembered the aching loneliness more than the sorrow,
if she had experienced that emotion at all.
Her brother had left in the Autumn, with back pack of books, writing pads,
pens, pencils, all the paraphernalia imaginable to study. Virtually no
clothes, she recalled, only books and writing things. She had commented
on it at the time and had nothing in return but raised eyebrows and a look
which said ‘don’t be stupid.’ So she didn’t. She let him walk away to
University without so much as a hug or a kiss on the cheek or a wish for his
future. She had not been on his wavelength at any time during their joint
lives; a goodbye would not have made any difference to the way she felt.
They were two then, two people in a house made and furnished for four. Two
people who managed to avoid speaking about the things which mattered, the way
they felt, the loneliness they endured, the hollow holes in their lives, but
instead spoke of late mail delivery, the quality of the food in the local supermarket,
the fact that next door were playing their music loud again, even though they
had complained. Several times, in fact. Trivial talk. Light
talk. As light, as ephemeral as the Autumn leaves which fell, rotted,
became one with the earth and enriched it. Their talk would not enrich
anything, it added nothing to their lives, to their understanding of life and
how to live it, their need to overcome their inhibitions and talk of pain and
hurt and suffering and emptiness.
Autumn was an aching time of sadness, melancholia, withdrawal; the windows full
of Halloween trivia, as trivial as the talk which sometimes passed for
companionship. Autumn was a time of sharp frosts, of rich scents of
bonfires, of fruit, the true Harvest Home, the season of richness and of
ending. Autumn was a time of dying.
Her mother had died in the Autumn. One day she had sat down in a chair,
complained of not feeling well, touched her head theatrically as if in a silent
movie melodrama – and stopped breathing. Ellie had, for the longest time,
done nothing. She had watched the life empty out of a body and depart and
she stood and did nothing. Did not dare to touch the hand, the arm, the
shoulder or the face for fear of drawing the life back, for she knew, without
being told, that the life had wanted to go, that since her father had walked
out of the door and not returned, life had become as melancholy as the season
itself, but lasted all year. Only when she grew stiff and her legs ached
with standing did she move to the telephone and dial the local surgery,
repeating the information to the bored hassled impatient receptionist. Yes,
she would wait for the doctor to come. Yes, she would wait for a
call. No, it was not a problem.
Only then did she sit down, tucking her feet under the chair, hands in her lap
and stared at the person she had called mother but for whom she had no
affection whatsoever. Somehow that had dried up, fallen from the branch of
family life that was her, drifted to the ground and become compost which,
sadly, had produced nothing. At least the Autumn leaves produced fungi and new
shoots for wild creatures to sustain themselves. Ellie felt she had been
unsustained for many years.
When the men came and took the body away, leaving her with nothing but
memories, Ellie blinked a few times, looked around the room and began to
catalogue in her mind that which she would keep and that which had to go.
There was much to do, so much to do, but she did nothing but look around the
room and make her decisions. That would go to the charity shop, that
would go to the antique dealer, that would go –
Ellie walked on in the glorious Autumn sunshine, aware of the colours, aware of
the brightness of the day, watching other people enjoying the weather, envying
the thickness of their padded coats, their boots, their hats and scarves and
gloves. Such things she had once and had no longer but the memory of their
warmth, their comfort, their sheer – pleasantness, had stayed with her. It was
a day for walking and many were doing just that. No one glanced at her as
she passed them, absorbed in their own lives, their own words, their own
memories.
Ah, that word. Memories. They came with the ability to cut, to
hurt, to heal, to please, to fill the heart with joy. There were few of
the latter and many of the former. Why was life like that, why was it so
hard to find the good in life and so easy to remember the bad? Surely the
golden days should stand out, days like today, when the weather was perfect and
the carpet freshly laid for all to see and admire?
Everything has to end. Everything has an end. Ellie had reached the
end.
She walked and the Autumn leaves were not disturbed by her passing over them.
Dorothy
Davies lives on the Isle of Wight, a small island off the south coast of
England. There she works as an editor, writer and medium, channelling
books from the rich (and not so rich) and famous from all eras of history,
ancient through modern. Her novels are available from Amazon. She edits
and features in Static Movement anthologies.