Karina
Roger
Noons
Sea Breeze - a cocktail of vodka, cranberry juice and pineapple juice, with a wedge
of lime
I trudged along the beach, every step on the shifting
shingle, a case of one forward, half a pace back.
After what seemed an age, I
reached the monument, and paused to enable my breathing to return to normal. I
stared at the four metre high scallop, registering its texture; relishing the
effect of the winter sun on the blue-tinged, stainless steel. I looked around;
there was not another soul apparent within my view.
I stepped back, the better to enjoy the sight
of the structure within its environment, and realised that in fact, I was not
alone. On the seaward side was a slim, long-haired woman. Despite the nature of
the weather, she was clad in the merest of summer garments and physically
demonstrated no signs of the wind or the low temperature, upon the skin of her
face, arms and legs.
She smiled and moved towards me, resting
her hand on the edge of the shell.
‘It was designed by an artist called
Maggi Hambling,’ she said, ‘she lives not far from here.’
‘I know.’
‘It’s a tribute to Benjamin Britten, the
composer,’ she added.
‘I know that too.’ It was my turn to smile.
‘Do you know that it has magical powers?’
‘No, I didn’t know that.’
She grinned, having found a fact with which
she could acquaint me. Her head on one side, she gently wagged a finger in my
direction.
‘Come. Place your hand on this spot.’
When I was near enough, she removed her
hand and I placed mine where hers had rested. The metal was hot, such that I
was surprised, but I did not withdraw my fingertips. My persistence appeared to
provide the catalyst for her to grasp the hem of the short skirt of her
garment, and drawing her hands upwards, she pulled the pale pink shift
carefully over her head, exposing her naked body. She lowered her arms allowing
the dress to slither to the pebbles alongside her feet.
As I stared, she stretched out her hand
towards my left side, the furthest from the scallop. Nodding, she encouraged me
to take her hand in mine, and the moment we touched, a deep sigh emanated from her
lips. It was audible above the sound of the incoming sea and the gliding
shingle.
‘My name is Karina,’ she whispered. ‘You must
accompany me, come.’
I released the metal, and as she moved
away, I found that I was able to follow, walking as if on a surface with the
least possible resistance. In fact, we seemed to float just above the beach. As
we reached the sea, I saw that her feet and legs fused together, and the lower
half of her body transformed into a fishes tail, covered in lustrous scales.
She drew me to her, and held me firmly
in her arms. She pressed her cool, salty mouth against mine, and when my lips
parted, she slowly inserted her tongue, which seemed to be endless, and slipped
without obstruction deep into my body. Her chill overtook me and as her power
flowed between us, my body relaxed. I felt the water rise, over my feet and up
my legs, and as it did so, it brought with it warmth, a cocoon-like comfort
that wooed me and melded me to her. Our bodies became as one, as the water
flowed over our heads, and the world went away, to leave Karina and I in a
state of ultimate solace.
*
ALDEBURGH FESTIVAL – TRAGEDY
The Festival’s final concert which should have been held on
Saturday evening has had to be cancelled. The body of Sylvia de la Cruz, the
virtuoso violinist, who was due to solo in two Concertos, was found by a group
of bird watchers at Orford Ness. It is thought that Miss de la Cruz, who
enjoyed her twenty-first birthday only last week, had made a pilgrimage to the
Scallop, the monument to Benjamin Britten on Aldeburgh beach, and may have
walked too near to the sea, during the high tide of two mornings ago.
Miss de la Cruz’s agent, Robin Pinero,
during a tearful statement, admitted that the artiste would be much missed. He
also confessed, when questioned, that Miss de la Cruz was unable to swim.
Bio: Roger
Noons
Having spent
the best part of thirty five years writing reports on such subjects as
‘Provision of Caravan Sites for Travellers’ and ’Aspects of Pest Control in the
Urban Environment’, Roger Noons began even more creative writing in 2006, when
he completed a screenplay for a friend who is an amateur film maker. After the
film was made, he wrote further scripts and having become addicted, began to
pen short stories and poems. He occasionally produces memoirs and other non
fiction. He has begun to perform his poems, and has just published ’An A to Z
by RLN’, an anthology of 26 short stories. He intends by the end of the year to
have followed that up with a novella.
He is a
member of two Writers Groups and tries his hardest to write something every
day. As well as CafeLit, he has had credits in West Midlands newspapers, The
Daily Telegraph, Paragraph Planet, Raw Edge and a number of Anthologies.
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