Lesley Hawkins
Herbal tea
Once, on holiday in St Tropez while wandering the back
streets we came across a square planted at intervals with mature London plane
trees. More than a century old, with trunks which look like the
varicosed legs of old women.
The majority
of them had empty spaces inside and I entertained the child who accompanied me
with stories of very bad French men who were imprisoned within. In
actuality these trees had been wounded over the years and all those wounds had
let in disease, and that’s why most of the trees were partially or entirely
hollow.
We talked
about what heinous crimes the men had committed and how they must have felt
trapped inside, fitting perfectly, not able to move a muscle. Held in stasis,
listening to the comings and goings of humanity, the startling
tring of bells on dusty old black ‘sit up and begs ‘, the chugging spittle of
mopeds, and the gallic, old man grumblings and dink and thud of jack and ball.
Locals playing Petanque under the planes in the Place des Lices, little knowing
the secret they kept.
Named after
jousting grounds where fair damsels waved their scraps of cotton and lace and
sighed over the beefcake of yore, this square in Saint-Tropez on a
bright sunny day was lovely we said, but was holding a dark secret with its
dozens of trees hiding their black human hearts.
We believed there were prisoners.
Twenty years has passed. The child has a child
of her own and they have a life of their own.
I have always
loved trees. I hug them openly and am not ashamed. I hugged one near where my
grandmothers ashes were sprinkled. Their circumferences were roughly the same
and it felt like I was hugging her.
Now away from
St Tropez and by myself, I am regarding another
plane tree standing among thousands of its peers
lining the Canal du Midi. Nearly 200 years old, in its middle youth Platanus was
solid and tight. Fit, thrusting and hittable. Now it has a disease
caused by fungus brought to Europe by US soldiers in World War II. It is dying.
I can’t hear
it speak. It has no voice, but I imagine it grimacing and shrinking over time,
as slowly and surely Saprophytes with an unrelenting, collective hunger eat away
at it’s insides.
I feel rather
than see the dead heartwood annihilated by fungi and insects and tiny ‘isms and
‘eriums. Outer bark growing blackish, inconspicuous, long narrow
cankers.
A living death.
A lot less solid now, among those
trees, in drill lines, along the banks. Almost dead where it
stands.
But it does still stand.
Just.
I really fucking know how it feels!
Amazingly,
with it’s innards gone the buds still open, the leaves still flourish and lend
heavily to the canopy, but is it just me or does the foliage hang lower
now? Is it less luxuriant? Does it seem dusty and is
it a greyer green this year? Does it look like it needs a bloody
good meal and someone to love it?
It makes me sad if all these things are true.
A famous man
on the television said there was something to be done about that. He said that
nutrients created by the rotting of dead beasts boost the sunlight and rain
combination, tripling it's potency and momentarily this uplifts me.
I too feel
dusty and grey this year – I too have a condition that is ravenous, insulting
and murderous and eats away at my wellbeing. So much so that I am
weary, and close to yielding.
I have a
dream, so real it calls to my heart when I’m awake and stays, thrumming on the
edge of my consciousness reminding me it was there. In this dream
I have died but I am flying, fast, beside my own human trunk, transported to
some otherwise inaccessible spot deep in a rain forest 'and
with a rope they dangled her, head first, dead weight, precariously and
then…'
I am dying and I am oh so alone.
When a space
is confined within a tube of living bark it creates a hollow. In some cases a
vertical and actual pokey hole. Somewhere, there is my tree. It will be the
perfect fit. It has been waiting for me and so it just seems sensible and
romantic that when I die, I am dropped to rot in humidity within
its comfortable hollow.
BIOG:
Lesley Hawkins has
written bits and bobs over the years and attended various creative writing
courses/groups since 2010. She has most recently written a play about Kendal
Mint Cake which was performed in Kendal Yarns festival of New Writers in
June/July 2016.
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