By Dawn Knox
Mulled Wine
“A new approach to the Christmas Nativity play? Err, what
exactly do you mean?” Laetitia Gibbons, class teacher at All Saints’ Junior
School, asked the new headteacher.
“We need to be sensitive to the needs of the entire
community, Laetitia,” Emma Skate replied, nodding
sanctimoniously.
It was the Nativity Play planning meeting which in previous
years, had lasted about fifteen minutes, allowing those present to adjourn to
the Petulant Partridge Tavern for the rest of the night. But this
evening, the five attendees had already been captive for an hour.
Ruth Abraham, who’d joined the teaching staff years before at
the same time as Laetitia, sighed. The planning was not going well. She and
Laetitia held similar views and had seen countless Nativity Plays performed
throughout the years, and they’d both survived two changes in leadership. The
latest headteacher, Miss Emma Skate, was much too young and inexperienced in
Ruth’s opinion. She’d only been with them one term and that had been a turbulent
few weeks, to say the least. Miss Skate, or Miss Take, as Ruth had heard some of
the children mistakenly call her, had tried to bulldoze her way through what had
once been the smooth-running routine of the school. Alice Skipper, the head’s
personal assistant, had been off sick with stress twice since September and Ruth
expected her to hand in her notice at any time.
The fifth person at the table was Oliver Primm, a
newly-qualified teacher who was eager to make a good impression and having
nothing with which to compare the current state of affairs in the school, he
usually sided with the ever-confident Emma.
Alice, with pen poised over her notebook coughed nervously.
Her eyes were open so wide, Ruth was afraid they might pop out.
“Are you suggesting that what we’ve always done hasn’t been
sensitive to the needs of everyone?” Laetitia asked. Her tone was icy.
“Certainly not,” said Emma unaware or indifferent to the
frostiness, “but this time, under my leadership, I wish the performance to be
especially mindful of every single person in the community.”
“I see,” said Laetitia, “Well, what exactly d’you have in
mind? This is a Nativity Play, so we’re restricted to the main characters and
setting. Of course, we could change the types of animals in the
stable…”
“There will be no animals,” said Emma, “The school does not
tolerate animal exploitation.”
“Animal exploitation? They’re pupils dressed up!” said
Ruth, “If we don’t have lots of animals, many of the children won’t have parts
in the play.”
“This year, we will not have animals.” Emma crossed
her arms.
“But what about the donkey that carried Mary?” asked
Ruth.
“Donkeys shouldn’t be beasts of burden,” said Emma, “so
definitely no donkeys.”
Alice wrote No donkeys, no animals, on her notepad.
“Right,” said Laetitia, “Well, perhaps if we decide who’ll
play Mary and Joseph—”
“Oh no,” said Emma, “We can’t be seen to favour certain
children.”
“We can’t have a Nativity Play without Mary and Joseph,” said
Ruth, aghast.
“I beg to differ,” said Emma, “and anyway, what about those
families with only one parent or indeed, two carers of the same gender? What
sort of message would we send if our representation of a family was made by a
man and a woman?”
Alice wrote in her notepad No Mary or
Joseph.
There was a pause while the three teachers tried to imagine
the scene with no Mary, Joseph or animals.
“So…ooo,” said Laetitia finally, “in the stable, we have a
baby in a manger but no parents?”
“No,” said Emma, “We can’t possibly condone such health and
safety violations. A baby in a manger, indeed! Definitely not. And no stable,
either. The school must not give the impression that keeping babies in mangers
or stables is acceptable behaviour.”
Alice wrote on her list No stable, no manger, no Jesus.
There was another pause punctuated by Alice’s nervous cough.
“Well,” said Ruth, “the only other people in the story, are
the Angel Gabriel, the shepherds and the Three Wise Men. Do we have any
objections to them?”
Emma considered. “Angels?... No. I don’t think we should fill
the children’s heads with such things. Shepherds are fine although we’ll have to
include shepherdesses too.”
“Yes, yes,” said Ruth hastily, imagining a stage full of boys
in dressing gowns with tea towels on their heads and Little Bo
Peeps.
“But of course,” Emma added, “we wouldn’t be doing our job if
we didn’t raise the children’s aspirations. So, as well as shepherds and
shepherdesses, we must have children representing other careers. Perhaps some
firefighters, surgeons, lawyers, plumbers, and… well, I’m sure you get the
picture.”
Alice wrote in her notes Consult careers book.
“But, as for the Three Wise Men,” said Emma, “I’m afraid not.
It would send the signal that only men are wise.”
“C…could we, perhaps, have Three Wise Women?” suggested
Oliver.
“That would imply that only women are wise,” said
Emma.
“Could we have two of each gender?” asked
Oliver.
“Hmm, that might work,” said Emma, “although I don’t like the
idea of only those four people being described as wise. It infers the
rest of the cast aren’t.”
“How about Two Women and Two Men of Average but Completely
Sufficient Intelligence?” asked Oliver.
“Yes, Oliver, I like your thinking,” said
Emma.
He beamed.
Alice made a note. Her usually neat handwriting had become an
untidy, jerky scrawl and her cheek began to twitch.
“So,” said Laetitia, “we have Two Women and Two Men of
Average but Completely Sufficient Intelligence as well as children dressed
up to represent a variety of careers and occupations… on a bare stage.”
“Yes,” said Emma.
“And what should they do?” asked Laetitia.
“Oh, you know! The usual things. I thought you and Ruth had
put on hundreds of Christmas shows.”
“Hardly hundreds!” said Ruth crossly, “They only occur once a
year.”
“Well, surely you’ve done enough of them to know what to do
without me spoon-feeding you? Now, we’ve spent enough time on this. I’m off to
the gym, so I’ll leave it in your capable hands,” said Emma, slipping her laptop
in her bag, putting on her coat and marching out of the staff
room.
“I…I… d…don’t think I can stand much more,” said Alice in a
quavering voice.
“I’ve never been so worried,” Alice whispered to Ruth as
she peeped through a gap in the curtains on the stage, watching excited parents
enter the hall and rush forward to grab the front seats. It appeared that even
the thick fog outside had not deterred them from coming.
“Shhh! The children will pick up on your nervousness and
there’ll be more trips to the toilets. Those elephant costumes are awfully hard
to get on and off,” said Ruth.
“We’re all going to get fired!” Alice wailed.
“Who cares?” said Laetitia.
“I don’t,” said Ruth, “I’m past caring. It’d be a blessed
relief not to work here anymore under that mad woman.”
“You know what? “Alice sighed, “You’re both quite right.
Bring it on!”
“Atta girl!” said Laetitia.
But despite their brave words, Ruth noticed that Alice’s
facial twitch had intensified and Laetitia’s eyes darted about nervously – with
even more agitation than would normally be expected at a school Nativity Play.
“Right, let’s line them up,” said Laetitia, nibbling her
bottom lip nervously.
Mary and Joseph at the head of the queue were accompanied by
a child in a grey shark onesie. He had large, cardboard ears pinned to his hood,
a tail attached to his bottom, and a saddle made out of sugar paper which
covered his dorsal fin. With luck, the audience would realise he was really a
donkey.
This is what happens when you rely on parents to provide
costumes, Ruth thought. She gave the donkey a reassuring pat on the
head.
The inn-keeper and her husband came next, followed by
assorted animals. The elephants led the way, a lion next, then bears. The
parents had been asked to provide suitable animal costumes but some had
obviously not read the letter carefully, and others had only seen the word
‘costume’. Two witches, one Disney princess, a Christmas elf and Darth Vader
accompanied the penguins at the back of the animal procession. Several parents
had angel outfits belonging to older siblings and they’d insisted their children
should use the costumes, so the Angel Gabriel and six white-robed, tinsel-haloed
apprentice angels followed the Dark Lord of the Sith. The final characters to go
on stage were the three Wise Men and shepherds– many of whom were played by
girls.
Let it not be said that All Saints’ doesn’t observe
reasonable political correctness, thought Ruth.
She checked her watch.
It was seven o’clock.
Laetitia, with hands poised over the keys of the piano,
waited for the cue. Ruth took a deep breath and nodded theatrically in her
direction.
Laetitia’s hands plunged.
The following morning at assembly, Emma said, “I’m so
sorry, children, I’m afraid I was caught in the fog and missed last night’s
Christmas Nativity performance.” She gazed at Oliver, who was studying his feet;
the tips of his ears had turned bright pink, “but I’ve heard from several
parents and governors this morning that it was a great success. So,
congratulations!” She beamed at the children.
“Thank you, Miss Skate,” chorused the children and under her
breath, Ruth muttered, “Thank you, Mistake!”
Laetitia and Ruth met in the ladies at playtime.
“Has Emma said anything to you?” Laetitia asked as soon as
she was sure they were alone.
“Nothing at all. How about you?”
Laetitia shook her head, “I think we got away with it. She
obviously knows what happened last night.”
“Alice told me the Chair of Governors phoned to congratulate
her. Emma could hardly say she’d expressly forbidden such a
performance.”
“Our plan wouldn’t have worked if Oliver hadn’t played his
part. I must admit, I wondered if he’d have the nerve to go through with it.
He’s so afraid of upsetting Emma. But he obviously followed our instructions to
the letter. Although I must say he drives a pretty hard bargain. I’ve got to do
all his playground duties from now until July. But at least the Nativity Play is
over until next year. And from the way Emma was looking at Oliver this morning,
she obviously had no idea he staged the breakdown of his car and left them
stranded in the middle of nowhere until the play was over.”
“Hmm,” said Ruth, “if I was you, I’d tell Oliver to do his
own playground duty. If Alice’s information is correct, he’s already benefitted
from the subterfuge.”
“Benefitted? What d’you mean?”
“Well, after he picked Emma up from home, he pretended to
break down as we’d arranged. However, she didn’t like waiting in the car in all
that fog, so she insisted they went to the Wickleston Arms Hotel to wait for the
breakdown van which Oliver said he’d called. Coincidentally, it’s where Alice’s
sister works and she phoned up this morning to tell Alice all about it.
Apparently, after several rounds of drinks while they waited for the breakdown
van, they finally booked a room for the night.”
“No!”
“Yes! And let’s say that last night, the head and a junior
member of the teaching staff didn’t pay too much attention to political
correctness.”
Links to previous stories in the series:
1) A Question of Timing: https://cafelitcreativecafe.blogspot.com/2017/09/a-question-of-timing.html
2) In MaryWorld: https://cafelitcreativecafe.blogspot.com/2017/09/in-maryworld.html
3) Knit and Natter: https://cafelitcreativecafe.blogspot.com/2017/11/knit-and-natter.html
4) Mint Pink: https://cafelitcreativecafe.blogspot.com/2018/03/mint-pink.html
5) Sydney Jugg’s Book of Grievances: https://cafelitcreativecafe.blogspot.com/2018/04/sydney-juggs-book-of-grievances.html
6) Is there Anybody There?: https://cafelitcreativecafe.blogspot.com/2018/04/is-there-anybody-there.html
7) Going Freelance: https://cafelitcreativecafe.blogspot.com/2018/05/going-freelance.html
8) So App-ealing: https://cafelitcreativecafe.blogspot.com/2018/06/so-app-ealing.html
9) No Saints at All Saints’: https://cafelitcreativecafe.blogspot.com/2018/07/no-saints-at-all-saints.html
10) A Meal of Biblical Proportions https://cafelitcreativecafe.blogspot.com/2018/08/a-meal-of-biblical-proportions.html
11) It is Better to Give than to Receive https://cafelitcreativecafe.blogspot.com/2018/09/it-is-better-to-give-than-to-receive.html
12) Superhero Worship https://cafelitcreativecafe.blogspot.com/2018/10/superhero-worship.html
1) A Question of Timing: https://cafelitcreativecafe.blogspot.com/2017/09/a-question-of-timing.html
2) In MaryWorld: https://cafelitcreativecafe.blogspot.com/2017/09/in-maryworld.html
3) Knit and Natter: https://cafelitcreativecafe.blogspot.com/2017/11/knit-and-natter.html
4) Mint Pink: https://cafelitcreativecafe.blogspot.com/2018/03/mint-pink.html
5) Sydney Jugg’s Book of Grievances: https://cafelitcreativecafe.blogspot.com/2018/04/sydney-juggs-book-of-grievances.html
6) Is there Anybody There?: https://cafelitcreativecafe.blogspot.com/2018/04/is-there-anybody-there.html
7) Going Freelance: https://cafelitcreativecafe.blogspot.com/2018/05/going-freelance.html
8) So App-ealing: https://cafelitcreativecafe.blogspot.com/2018/06/so-app-ealing.html
9) No Saints at All Saints’: https://cafelitcreativecafe.blogspot.com/2018/07/no-saints-at-all-saints.html
10) A Meal of Biblical Proportions https://cafelitcreativecafe.blogspot.com/2018/08/a-meal-of-biblical-proportions.html
11) It is Better to Give than to Receive https://cafelitcreativecafe.blogspot.com/2018/09/it-is-better-to-give-than-to-receive.html
12) Superhero Worship https://cafelitcreativecafe.blogspot.com/2018/10/superhero-worship.html
About the author
Dawn’s third book ‘Extraordinary’ was published by Chapeltown in
October 2017. She has had three other books published as well as stories in
various anthologies, including horror and speculative fiction, and romances in
women's magazines. Dawn's first play to commemorate World War One has been
performed in England, Germany and France. Her second play about WWI was
performed in November 2018 and currently there are plans to take it to
Germany www.dawnknox.com
Hugs
from Dawn
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