Saturday, 23 November 2024

Saturday Sample: There's More to Life than Death, Quinn, by Anne Forrest, tea

 

THERE’S MORE TO LIFE THAN DEATH

Quinn

Nothing is clearer to this man than he must keep going, moving on so that nothing catches up with him and his sin.

He trudged through the medieval town of Conwy, a numbing coldness creeping up through his thin boots and into his bones, he exited by the upper gate, and at Town Ditch he left the ancient walls behind and walked upwards. At his back the Castle, Telford’s suspension bridge, the Smallest House on the harbour; boats, fishermen, trawlers and mussel-men who sometimes found pearls: and the population known by their birthright, as Jackdaws. The last of the pale winter sun was starting to set and the evening frost was quick on its heels; he tightened his jacket collar and prised a fat safety pin off a card of six, standing with his rucksack wedged between his knees trying to work fast against the cold. He went on towards the bluey hills, passed through a hamlet of twelve or so homesteads and on to a good track towards the small village of Rowen. Two miles beyond that and he reached the steep lane, grass-cobbled and inhospitable, and between tall dry-stone walls up he trekked until he came to an iron barred gate tethered to its stone pillar with curls of wire. His hand burnt and stuck fast to the bar as he heaved; he shoved it into his mouth and cursed, tasting frost iron and welts rising. He closed the gate with his foot and shoulder; a derelict cottage stood melancholy and black against the sky-lit land, it floated in a lake of minute stars as Jack o’ Lantern twinkled above ground like some fantastic fairyland blooming, and the utter beauty of it was not lost on him. He turned again and moon-blanched hills lay ahead and to his right and to his left. Something red-warm in that cold white slunk away finding a shadow and then disappeared into it. As if he were at one with the place and of its core he stayed taking in the quiet and melting into it. He bent his head and lifted up his frozen foot to walk on.    

Up and up colder as he went. Dirty looking sheep huddled in their pens chewing and staring and as if wondering about this man thinly dressed. Two more miles and he wanted further.

 The man had seen over thirty five winters, none colder he felt, and he’d faced more than five of these with neither kith nor kin. Over on his left he saw a small church nestling like a squatting frog in the dip, its glistening roof floating in a grey-white shroud of icy hillside mist. He fancied he heard the bell toll and stopped to listen. Head inclined toward the motionless bell he appeared to be intent on what he heard. He found he could not stop walking, the moon filling the sky with its hugeness and painting the land clear and the path ahead white as with salt. Mountain ponies still and watchful as he strode. A muffled shr-shrump, a stamp, a whistle of mane being shaken in the night. He went on. Two more miles and the night as light as day when he came upon a tiny house set in a poor looking place, a lamp shining in an upstairs window. Black trees, tall and dwarfing it. He circled the place and saw little sign of life. He made for the far outhouse with bales of hay stacked in blocks and slept and dreamt of a screaming banshee who wrapped him in her arms and would not let go of him. Then she did and he drifted off again. A monstrous pink-footed rodent dragged its swollen hindquarters across the floor; already warfarined with its belly in liquid knots, the rat moved without purpose along the littered flags. A soft and whispering warmth blew evenly and sourly, the rat turned from the man’s breath and in its own helpless wretchedness, poured fluidly away into the darkness. The man fended off the banshee with a small sound and a wave of his hand; shifting himself he made little alteration to his bedding so slender was he. In a mantle of feed sacking, his face, etched noble and easy in repose, rested on hands fast as if in prayer. He slept on. In the night that was light as day a fox barked and his vixen came to him. Not long afterwards the rooks started to claim their territory, cawing, kroncking and making a lazy disturbance above the trees in the icy dawn.

Now he must be in a Turkish palace, an exotic house of wealth, of brightness, picking out jewels of the richest colours, shafts cutting through ruby red and amber and emerald green, through facets of diamonds glinting and shimmering and sliding slowly down the frosted window pane to gather in a rainbow stream. Mote ridden light beamed earthward and touched jars of captured summer: of seed riddled raspberry, redcurrant, blackcurrant, of luscious Victoria plum and Denbigh plum, goosegogs and quince; the light played on Kilners of ginger chutney, pickled cabbage magenta and purple, and on the detached eyes of pickled onions, all these stood in row upon glorious row next to raised sacks of potatoes and turnip and swede for winter plateful’s of steaming buttered stwnch rwdan. He opened his eyes fully; salivating and wiping his mouth with the back of his hand and sat up. He made himself decent, ready to set out into the early morning frost. Knotholes in the old wood told him that it was no warmer today. Before he left he opened a jar of pickled eggs and ate two then ate two more and packed away some potatoes to bake the next time he had a fire. He placed some coppers on top of the jar and walked into the yard to consider his next move. Suddenly a light showed up a red and white curtain at the kitchen window. He must knock and make himself known.

A woman of about forty cracked open the door, peering at him and over his shoulder as if to find answers there. What do you want?  Anxious and twisting a cloth into a teacup. What do you want this hour of the day?

I… I just knocked to thank you. For my bed. Y’see I slept in your outhouse last night and was grateful to get out of the temperature indeed I was.

Last night.

Yes. Yes I did.

You been here before?

No. First time up here.

Not a few months ago. A year?

No. No. Look I’ve bothered you and I’m sorry, so I am. Can I do anything in return?  I’d be pleased really. Feel much better about things.                                                               

She said, looking bewildered, No, you’re welcome.

Nothing moved, not her eyes, nor her hands, and her breathing seemed suspended. An icy gust whirled and shifted crisp leaves in the porch; weightless they danced and lilted and settled. Then: I need to go, and she made to close the door on him. A sound stopped her. Her face contorted, I…  He saw her clutch her cardigan and hug it to her throat strangling the words. Beneath the cardigan she wore a once bright wrap-around pinafore over a frock of grey flannelette, her hair in pins. Bare legs and bedroom slippers with cream fur pom-poms.

Yes, I should be off too. But he didn’t move. Keep out the cold now. Looks like it might snow.

Oh, no, she murmured.

 Looks like it. You’re sure I can’t stack wood. Chop it.

No.

He turned to leave.

A screech rang out from inside, upstairs. Maa-a-aam!

I have to go. O God help us! And then all hell broke out into the tableaux: Come in’n please try to help... and she stumbled ahead of him.

The child was only about fifteen. She’d used the last of her strength to call. Her head lay back as if twisted and she already appeared dead so blue-white was her face, and wet. A girl baby was stuck fast between her bloodied legs, a marbled bottom and one leg out.

It’s here, O God, she having it and it’s breached! I thought it would never come... Two days she’s been at it one way or the other and O, Iesu Grist I can’t get it out! Tugging and pulling this slimy thing to no avail and, Help me girl, push, pu-ush for Christ’s sake. But the girl could not oblige.

For all his years he knew nothing of childbirth but knew he could not allow the woman to know it. See to the girl, he said evenly, Keep her alive. A drink, water or something. I’ll see to…  With infinite gentleness he eased his fingers into her and as if his touch triggered it, she involuntarily shuddered as if it had nothing to do with her, and shoved and spewed out something that would not have gone amiss in a freak show at a country fair. Having made a noise of sorts it was lying in the mess, motionless save for a tiny clawing of her right hand that was joined firmly to her elbow.  It was difficult to look at, to see this mistake. To see an eye where a nose should be and no mouth to speak of. Dear Lord.

Check on her, he said jutting his chin in the new mother’s direction, shock rendering him quiet spoken. See she’s all right at least.

The woman’s horrified stare. She backed away.

A knife. A knife too, for God’s sake get a blade of some sort.

Now he saw the blood. Try to stem that flow, he said more urgently. Cloths and things, towels. You have plenty?

I’ll get them. But she did not move.

Move, he said into her face. Quickly.

  He sliced through the cord and left it and covered up the girl’s legs. There was a wooden box, an orange box and in it a blanket and sheets cut to size. He carefully enveloped the baby’s tiny body, folding and tightening the sheet until only the head showed, hair a bloody honey colour. A blind and no doubt deaf infant; he was surprised to see the lips, misshapen and fish-like trying to make suckling motions. He watched it. This precious God-given life attempting to take what it knew was hers. By the time the woman came to look at her granddaughter, the child was dead and the Lord had not had a say in it.

You’d better concentrate on your daughter…

She’ll be all right, now? A whisper.

I think you need a doctor for her.

No! God, No.

You must. She’s draining away. I can go back into the town with a truck…

She put a hand out. No. She’ll be all right…

Well into the next night the girl lay still as death, only her hoarse breathing and florid rings on her cheeks like half-crowns, showed she was alive. He and the woman tended her and he tended the woman with hot tea and soft words. She’ll be all right. She’s young. And healthy; she was healthy, wasn’t she?  And the woman nodding and nodding and saying little of any sense.

He spoke carefully again. What about the doctor?  Just to check her. You can’t lose her as well.

She didn’t answer him but shook her head firmly and slowly and pursed her mouth. He had no right to interfere further.

If you’re certain.

I am certain. Certain of that. Anyway, she’s improving, look. The girl’s face had not altered and her breathing was no easier. Look. She’s better I tell you! A sob from the woman holding her throat as if to strangle herself, 

All right…  But you must keep strong then. For her. Sleep, if you can.

I couldn’t.

You might.

No. I’ll be all right.

You’ve had no rest. None for days by the look of things.

I can manage.

Early dusk fell and gauze-like lavender settled on the room downstairs. By now, the woman in her chair and studying the fire.

You sleep now, she said to him. You’ve done enough for us. Her chin lowered into her knuckled hand and she listening to the gas pop and splutter from the coal.

I still have something to do.

She looked at him tilting her face. 

I’ll see to it just now.

What?

You have a spade… in one of the sheds?  He stood, his arms loose by his sides.

Back to the coals. Dear Lord! Yes, softly.

I’ll manage…  He stood a while looking with her into the fire, then made to go outside. I’ll find things.

The woman spoke as if to the flames in the grate. Seren, she said. She has to have a name. Seren. It means Star.

Yes.

The man carried the bundle now shrouded in the sheet and newspaper, a spade over his shoulder slipping and sliding over the yard on crystal sheets of ice to stumble and rearrange the bundle under his arm, and open a side gate, quietly though there was no one to hear it creak, no one to see him, head down going along the narrow pathway brushing aside frost covered fantasies of hedgerow, to hear the crunch underfoot and the owl hoot inquiringly. A clear sky again. He came out into a white field, clumps of grass forming fairyland castles, the heap of dung a strange white-capped hill. He tapped the spade on the hill and even the dung had frosted hard. He walked round inspecting every place and found an old hen house staved in and shoved half under the hedge. The wire netting cage now home to feral cats that wailed and spat at him as he kicked the coop over and tested the ground. He cursed for not having a fork. He removed the paper carefully, wadded it and slipped it into his pocket, and laid the baby bundle in the winter wonderland, stiff now and watched over by yellow slits huddled beneath the hedge, the cats making strange growling noises and baring their teeth and yowling through them. He struck the ground that had been kept from freezing by the warm pulse of a wild animal. He dug through the acrid stench of cat pee until he reached an appropriate depth and hoped that the soft and pliable bones would not stay too long and that they would melt and nourish the spring celandine and the wood sorrel. And that her being would have some purpose. Before he picked up the swaddled baby now glistening with frozen dew specks, he shook out a cloth he’d had a mind to bring, placed it over the face now quite beautiful in his eyes, and cushioned it behind the head and stood with it a while. He bent and lowered her gently into the earth, her cold cradle now powdered and silvery. He looked up at the vastness and marvelled at the perfect placing of each star. He mouthed Pater Nostra qui es in coelis… Our Father who art in heaven   Could he ever be forgiven?

                                               

Almost twenty-four hours since he’d first knocked, he tapped on the back door again and eased himself in quietly, wiping snowflakes off his sleeves. It was as if this was that first time. The woman, standing there, cloth and teacup.

It did snow then?

A flurry. It won’t last. Too cold I think.

I’m just making a pot.

The dawn was just unlocking the room and cast a cold light over it. I’ll stoke the fire, he said.

There’s paper-sticks, cinders, it’ll catch again.

He knelt down and took the poker and levelled the dying embers. He took three plaited sticks and arranged them then he fetched from his pocket the wadded newspaper and placed that on top. Large cinder shells on top of that. A handful of black nubs. We’ll soon get the place warmed up. How is the girl…your daughter?

Sleeping. A good sleep now it seems. She waved the cup limply. Have you…Where have…?

Somewhere quiet. Out of the way of things...

She nodded. Best.

I said something, you know, when I laid her in. 

She nodded again and brought up her face to find his eyes. He did not let her find them.

They drank the tea. She sliced and buttered bread and spread it with honey, passed it to him and took up her place in the fireside chair. He finished eating.

You rest now, she said.

I think I will. You’re all right?

I will be. Will you be warm enough with the straw?  Take a blanket. Anything you want. A quilt. There’s only her and me. She did not move from her chair.

Thank you. May I take more bread?

Anything. She sat still, her arms invisible in a shawl. An age-old posture. Her hair now loosed from their pins fell in slender caramel coloured fingers about her face and on the nape of her neck. Her hopelessness touched Quinn and he wanted to reach out and gently push the hair from her face and stroke that neck until she might weep against him.     

There’s just the two of you, here, looking after this?

Yes, since eighteen months now. I’m widowed.

I’m sorry.

She looked as if that sorrow was a long way away, as if it had been overtaken.

Will you need help?  Just till she’s stronger?

I will. I will, dear God. I don’t know what we’re going to do.

I can stay. For a while.

Yes. Yes, please.

He stood with an eiderdown draped over his arm. Will you go up and rest too?

Yes, I’d best be near her. ’Case she calls... And you can wash in the back scullery whenever you need. Anything you want, take it. She waved him gone, wearily.

Thank you, Mrs…

Mostyn. Alys Mostyn.

I’m known as Quinn, Mrs Mostyn. Shout out if you need me.

The following days weather mirrored the silent house. The sky plain and dull holding back the snow. The frost lost its prettiness and little moved about the place: yard cats, the dog, hens, all lethargic. The dunnocks’ ‘tseep’ less shrill; the ‘pink, pink,’ of the chaffinch quieter. The shriek of the barn owl less piercing. As if all the small life in that bleak place knew of the sadness there; as if they too, knew of the hurt. A wind chime fashioned from all kinds of childish things hung motionless from the limb of a stunted fruit tree, itself bent the way of many winter winds: tin-foil bells made from milk bottle tops, broken crockery and glass, green, blue, tied and fastened with little pieces of plaited string; midnight blue mussel shells and creamy pink cockle shells threaded with cotton. Silent now to match the mood. An enamel pan, shallow and half sunk into the earth, a bucket half full of feed swollen and grotesque. Dereliction had come rapidly to this farmstead.        

Christmas 1959 came quietly and uncelebrated; none of the three people in that place wanted to dwell upon the birth of a baby, Christ-child or not. New Year’s Eve saw little difference from any of those awful days. Alys twiddled the knobs on the wireless: A bit of music might help raise our spirits for a while, she said sighing. They sat with glasses of port and some beers. The child who’d had to grow up so violently sat reading the Girl; she nibbled at cheese straws she’d learned to make at school, and sipped lemonade. In between the wailing bagpipes, riotous stamping and singing from somewhere in Scotland and humour from Wee Winnie and Wee Jock McCree, one of Harold Macmillan’s government ministers kept interrupting with talk of the new decade about to hit Britain:  After the dark days and aftermath of war, we are catching up with and overtaking those dark days. He shouted as if he were in direct competition with the Hogmanay Night revellers:  Nineteen-Sixty will herald a new era! An era the likes of which has never been anticipated before in the history of our Country… Wee Winnie told a joke in a thick accent, which rendered it unintelligible; she and Wee Jock screamed with raucous laughter and the sound of a huge drum banged and the band played a lively reel – a strange muffled sound with a background crackling as the waves travelled the air and somehow found this little farmstead. Again, the minister: We will instigate policies of peace, liberty and law; we will capitalise on the noble National Health Service, the Education Act and expand the roads and highways programme. We will raise living standards and encourage the enjoyment of more leisure time – even as I speak, one in three families today has a car or motor-cycle, two out of three is able to rent a television set, and twice as many are now taking holidays away from home… The band’s noise grew into fervour and the Scots Master of Ceremonies marked time: One Hour to Go, he announced above the din, One hour before we say Giud-by Tae the Fifties…One hour before we welcome in 1960! Alys Mostyn turned the knob low and said; It’s time I went to bed.

Quinn said he’d turn in too. The mother helped her daughter up off the chair: the child still could not move well: You too my girl, she said wearily. Tomorrow’s another day.

 

***

Find your copy here 

About the author

 Writer and painter, Anne Forrest lives in the Conwy Valley, North Wales. After gaining a First Class Hons at Bangor University: MArts in ‘English Literature with Creative Writing’ 2015-2019, she completed a Masters at the University of Chester: ‘Writing and Publishing Fiction’ 2019-2020. Her common-folk biography, My Whole World, Penmaenmawr was published by Old Bakehouse Publications, Abertillery, in 2000. Lilies of the Valley, a Gothic, family saga, made the strong longlist in the Cinnamon Press Debut Novel Award 2018, and retitled The Stain, the longlist in the Indie Novella. Her unpublished picaresque novel, Quinn, made the Cinnamon Press ‘Mention with Honours’ in 2020. In partnership with co-writer, Judy Price, her collection of ‘uncanny’, short stories, Cautiously Tiptoeing…Out of the Light, was published in October 2020, and Cautiously Tiptoeing…Into the Thirteen Days of Christmas, in December. A series of six, children’s stories, is set in the National Trust’s Bodnant Garden ‘to educate and entertain children’. Her first children’s book, beautifully illustrated by Laura Stenhouse, Timothy Crumble Explores Bodnant Garden was published in April 2021. The above publications are available from Amazon.

Friday, 22 November 2024

She Knew by Hannah Retallick, pizza and Sanpellegrino

She knew that the lad at one of her window tables was younger than his height indicated because he sniffed his can of Sanpellegrino before pouring it instead of when his lips were near the filled glass as a grownup might do. There was distrust in his eyes, like it might be too sharp, too fizzy, or too Italian.

 

She knew he was young because his back was bent, not crushed by heavy years but folded like a deckchair, trying to conjure invisibility. There wasn’t enough of him to fill his body yet, screaming boy not man. He’d never used his height, never controlled rooms with it, towered above a bully, or spat on underlings in a furnaced kitchen.

 

She knew he was young because the man opposite leaned in and questioned his future as though it stretched ahead endlessly and might not feel too late to change path. The boy thanked her when she placed the pizza in front of him and asked for ketchup, please. He said I’ll figure everything out, Dad. Not for a moment did he fear he would become her.

 

She knew he was young because when his father probed whether he was sure-sure he didn’t want to go to university or do an apprenticeship and wouldn’t regret it later, he nodded and said he was one hundred percent certain it was the right decision and would all be okay. She handed a bottle of ketchup to the tall boy whose drink was too risky.

 About the author 

Hannah Retallick is from Anglesey, North Wales. She was home educated and then studied with the Open University, graduating with a first-class BA (Honours) Arts and Humanities (Creative Writing and Music) degree, before passing her creative writing MA with distinction. Her work has gained success in several international competitions. 
 
 
 
 
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Thursday, 21 November 2024

The Race Down Deadman’s Hill by Dawn DeBraal, iced water

My older brother, Lee, lived fifteen months, three weeks, and five days more than me. He lorded it over my head every chance he got, feeling that that amount of time gave him vast experience and knowledge.

“I get to go first because I’m older,” he’d say, pushing me aside and getting on the go-cart at the top of Dead Man’s Hill. I would shake my head and mutter under my breath.  One day, I would make Lee eat his words. I was only an inch shorter and had him by a couple of pounds. Mom said it was because I took after my dad, and Lee took after her.

We spent a week building that go-cart, using wheels from an old buggy and parts of the buggy itself to form a stylish race car. Lee took the front of the cart and built a crossbar from two-by-fours bolted together to make a “T” shape. By using our feet, we could steer the cart to swivel left or right. There was nothing to stop us from going into Gordman’s Creek except to drop our feet and drag them like brakes.

Deadman’s Hill was the only hill in the neighborhood that didn’t empty into heavy traffic, so it provided a softer ending in case we couldn’t stop in time, and so far, Lee and I had been able to stop well before the end of the boat ramp.

The buggy-turned-go cart worked so well that we entered the annual Downhill Pushcart run. Parking Old Bess, as we named her, at the top of the Hill, we watched several other teams enter the race. Because of the width of the road, the race only allowed seven teams, and this year, all the slots were filled. Andy Krakow and his brother Randy parked their cart next to ours, and he laughed at the buggy body we had retained.

“You look like a bunch of babies,” Andy cracked. I gave him my scowl face and ignored him while Lee and I talked about the better strategy. A heavier driver in the cart would make it go down the Hill faster, and the stronger pusher would run us to the start line quicker, so we decided since I was heavier than he was, and his long legs would get us to the start line faster, I was the driver, and he was the pusher. I put my bicycle helmet on my head, letting the straps hang down, feeling like a pilot ready to take flight as I sat on our racer.

All the carts were very different one from the other. Some were made by kids, like ours, and you could tell the ones where an adult had a heavy hand in their build by putting more of themselves into the vehicles.  I looked down the line left and right. Some of the carts were much more sophisticated than ours, but Lee and I held true to the rules.

For safety reasons, an adult could only inspect the carts, and our father checked and rechecked all the moving parts. Seven carts were parked back from the start line, and the excitement was palpable. The runners would run the carts to the start lines and then let go, allowing gravity to do its job. I could see Lee stomping from one leg to the other, making me feel his adrenaline was on overcharge, and he was ready to push us to victory.

“Get ready.” Seven carts lined up at the boat landing, leading to Gordman’s Creek. I hunkered down because, as I’d read, sitting tall, offered wind resistance.

“Get set.”  Mr. Feldman, the banker and the giver of the twenty-five-dollar prize, held a starter pistol in the air.

“Go!” He fired the pistol, and all the pusher kids started to run their carts to the start line. Lee’s legs pistoned up and down like a train engine behind me. Moving the cart closer to the starting line, slightly ahead of the others, he let go once I crossed the chalked line.

The cart took off, and the racers around me kept up. We were neck and neck down Deadman’s Hill toward the creek. Andy Kraków pulled slightly ahead, and Old Bess’s wheels were flying while I focused on the task in front of me, keeping the cart straight as I could while trying to get to the finish line. When all the other drivers dropped their feet to slow down, I headed for the creek and let the cart pass by everyone.

 I flew over the finish line ahead of the rest of them and then put my feet to the ground, trying to stop the forward momentum. My shoe fell off, and I could no longer stop myself. Over the bank, I went, flying into the creek.

“Teddy! You did it!” Lee shouted, whooping it up on the bank. No one had the guts to do what I did, not put their feet down, taking their carts into the creek. The water was deeper than I imagined, and pulled at the cart, trying to carry it downstream.

“Lee, I’m losing it. Old Bess is headed down the creek!” I shouted from the water.

“Let her go, Ted, it’s too late.” I couldn’t believe my brother was suggesting we let Old Bess go.

“I can’t hang on. Help me!” I called back as the go-cart floated toward the faster water, trying to pull me with it.

“Let go, Teddy. We won; we’ll build a new cart.  You are more important!” I wrestled with my thoughts a bit and let go. Old Bess floated from my grasp and rode the creek rapids headed for bigger waters while I climbed the bank, taking my brother’s hand and letting him pull me on shore. The cart was no longer visible as it meandered around a bend.

“I lost her.” I wanted to cry with disappointment.

“You won the race, that’s all that counts!” Lee slapped me on the back, and drops of water sprayed him on the face, making me laugh.

“It’s a good thing you drove, and I pushed. I would have stopped before the creek like the rest of them. You are one crazy guy!” My brother had paid me the highest compliment he could give, which made me smile despite losing Old Bess. Usually, I wouldn’t believe his praises, but today, after winning the race, I chose to believe him because sometimes, he was right. 

 

About the author

 

Dawn DeBraal lives in rural Wisconsin with her husband, Red, a rescue dog and a stray cat. She has published over 700 stories, poems, and drabbles in several online magazines and anthologies. https://www.facebook.com/All-The-Clever-Names-Were-Taken-114783950248991 https://linktr.ee/dawndebraal Did you enjoy the story? Would you like to shout us a coffee? Half of what you pay goes to the writers and half towards supporting the project (web site maintenance, preparing the next Best of book etc.)

Wednesday, 20 November 2024

Half-Full And Half-Empty by Philippa Rae, an ice cold glass of mineral water with a slice of lemon served on the rocks

Half-Full was having a conversation with his brother, Half-Empty.

“Look it’s the famous presenter, Charlie Chatter! Fancy him coming in here? He was on TV ten years ago – what a legend!  Gracing us with his lips!”

“Ten years ago – nobody remembers that far back. He’s an old has-been – I didn’t even recognize him. And his lips look slobbery to me.”

It didn’t matter what the issue was. Half-Full and Half-Empty could never agree on anything.  

Outwardly, the brothers looked the same.  They were both tall glasses tapering upwards from the bottom in a v shape. The clear liquid contained in each glass was measured to exactly the same level.  Half-way.  However, their characters were very different.

The pair lived in Kooky café.  Mrs. Van-Grubble that ran it had inherited them from the previous shop owner, a fortuneteller named Mystic Marg.  They would sit on the counter and pass comments. Most people thought that the talking glasses were a funny novelty and did not take too much notice of their opinions. However sometimes they upset customers.

One day, a man with a bushy beard came in. He was thirsty and he grabbed both glasses before they had a chance to run away. With a loud gulp, he swigged first from one glass and then the other.

“My, you were thirsty,” said Half-Full refilling himself under the tap. “You sounded like you enjoyed that.”

“Thirsty?” replied Half-Empty as he too refilled.  “More like greedy.  What a disgusting noise you make. Please don’t buy dinner in here; I can’t imagine what sound you make eating.”

The man was furious. “I didn’t pay to be insulted,” he shouted. “How dare you?”

“I am terribly sorry,” said Mrs. Van-Grubber. “But you are right. All the pair of you does is squabble.  Please leave.”

“Don’t worry; I am sure we will find another job.” Half-Full hopped along the street. “Look on it as an opportunity to expand our horizons.”

“Doing what?” replied Half-Empty. “Our best days are behind us.”

 

Voices were coming from the park.  A young woman was twirling around in a blue dress.  “Adriana, do you like this?” she asked her friend.

“Oh, yes, Miranda.”  Adriana clapped her hands. “I am going to get one too.”

           The glasses could not stop themselves.

“Yes, it looks great,” Half-Full, grinned. “Aquamarine a very popular colour. And that style is very in now! ”

“What he means is that everyone is wearing it,” Half-Empty said. “So you will look the same as them. Also, it is “in” now but how long before it is “out” of fashion? It is probably a just a fad. ”

“Oh!” cried Miranda.

“Really sorry about him,” Half-Full apologized. “He knows nothing about clothes.”

“On the contrary.”  Miranda took out a receipt from her handbag. “I have only just bought this so I am returning it to get something more exclusive. Thank you so much for your advice!”

“Do you know a place we stay,” said Half-Full. “We are also looking for a job.”

“My father is the editor at the town’s newspaper, The Nattering Express.” Miranda scrawled the address on a scrap of paper. “He mentioned something about needing new reporters. Go and see him.”

 

That night, the glasses stayed under a hedge.

“This is different,” sighed Half-Full. “Sleeping under the stars at one with nature.  Just breathe in that fresh air!”

“Fresh isn’t the word for it,” complained Half-Empty. “It’s freezing.  And look at those mangy creatures.”

A hedgehog scuttled by and a fox stopped to scratch itself.

 

The next day, Half-Full and Half-Empty arrived at The Nattering Express. As they entered, a strong smell of coffee greeted them.  A tired looking percolator was heating in the corner.  It looked like it was perpetually on the go, with brown burn stains around the edge.

A large burly man was typing at a computer. “Nice to meet you guys,” he said. “I’ve been expecting you. Miranda told me all about you. She is delighted because she went to a party last night and three other girls were wearing the dress you saw.  Fortunately you had warned her, but it could have been a disaster!”

Half-Empty shot Half-Full a superior look. Result!

“I was right,” he hissed to Half-Full.

“Hello, I’m Half-Full,” Half-Full ignored his brother’s remark. “And this is my brother Half-Empty.”

“Welcome” replied the burly man.  “I’m Scott.  I run this newspaper.  My critic reviewer has left to join a national newspaper so I need someone ASAP who can review for me.”

“But we aren’t journalists?” said Half-Empty.

“But we can learn,” said Half-Full

“Remember everyone has a right to their opinion,” said Scott. “That is why Miranda told you to come here. And I agree. It is a wonderful idea to have both your thoughts! “

“Two for the price of one,” laughed Half-Full.

“Yes, exactly – two for the price of one!” moaned Half-Empty.

“We haven’t started yet,” Half-Full hopped about. “Let’s see how it goes.”

“I’ll give you a week’s trial,” said Scott. “It will give you time to understand how I work.  You can stay here but I need you to start right away.  Tonight a show opens at the Majestic Theatre with the opera star, Griselda DuPont.  I would like you report on it. What do you think?”

“Yes!” replied Half-Full. “It will make a change from sitting in Kooky Café.”

“Exactly. We’ve never been further than the cafe, let alone visit a theatre,” scowled Half-Empty. “We know nothing about music.”

“At the moment, we don’t have a choice,” whispered Half-Full. “So give it a try for now. It will be a learning curve.”

 

So later that day, the pair trotted off to the theatre. They had seats in the front row. Half-Full sat in raptures at seeing live entertainment. Half-Empty kept looking at the clock.

They hadn’t even got back to the office before they were arguing over what they saw.

“What a powerful voice!” gushed Half-Full. “That star could sure hit the high notes! You could hear her in the bar. A classic!”

“What a racket!” complained Half-Empty. “I couldn’t hear myself think, she was so loud. Out-dated and old-fashioned!”   

Scott was delighted when he read their work. “We will put a promo in each week, advertising what next week’s review topic will be and the public can join in the debate!”

On Friday, the newspaper was published.  On the centre pages was Half-Full and Half-Empty’s first review columns. The readers thoroughly enjoyed the forthright opinions of the two glasses. Word spread and soon people were clamoring for their own thoughts to appear alongside the pair.

            It just so happened that the producer, Billy Big-Cheese of the TV show A Country’s Got Talent was visiting a friend who lived in the town.  At the railway station, he found a copy of The Nattering Express on the seat.  When he saw the reviews, he called the paper.

            “I’d like to make you an offer,” Billy said to Half-Full and Half-Empty. “I am looking for a new judge for the show and you would both be perfect!”

            “Two for the price of one!” Half-Full laughed.

            “Yes, exactly!” grumbled Half-Empty but for once they both agreed. They took the offer.

            On the day of the broadcast, when a car arrived to take them to the studio, Scott wished them good luck.

            “Who would have thought that you could make a success out of being yourself?” Half-Full beamed happily.

            “We haven’t been on the TV yet,” Half-Empty, reminded him. “It might go wrong.”

            “Just remember, it is possible to be both half full and half empty!” Scott waved them goodbye. “It just depends on which way you look at it!”

About the author 

Philippa has written four print books, one audio story and had short stories and poems in magazines and anthologies. She has written many assemblies for SPCK Publishing. Philippa enjoys creativity in all its forms from the written word to charity promotions and performance. 
 
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